A passion for jazz is becoming an expensive proposition, and not just
because videocassettes and compact discs have added to the record-buying pinch.
We jazz fans tend to be completists. Those of us in thrall to Charlie Parker, for example, feel deprived without every scrap of music he ever recorded. That is why there is a market for multi-record (or disc) sets containing, say, Charlie Parker's entire output for Verve, including false starts and alternate takes.
Such reissues, which retail for a good amount of money, blur the distinction betweeen luxury and necessity. In addition to Parker, this year's crop includes sets devoted to Dinah Washington, Duke Ellington, Bing Crosby, Django Reinhardt and Commodore Records (a groundbreaking independent jazz label of the '30s and '40s).