Todd Rundgren Returns As A One-man Rock Band

Posted: December 08, 1993

The last time Todd Rundgren came through town he brought along a veritable rock-and-roll orchestra.

Monday at the Trocadero, the unpredictable Rundgren brought only himself - and a ton of equipment.

He billed the show "TR-i" (for Todd Rundgren-interactive). But the restless innovator could just as easily have pegged it "the Return of Rock's Original One-Man Band."

From his stage (set up in the middle of the Troc dance floor) to his songs (from the new No World Order (Rhino/Forward)), very little of Rundgren's show was conventional. Perched alone atop a ziggurat of concentric platforms, Rundgren controlled banks of keyboards, computers, drumpads, a MIDI-lightshow system and a fog machine.

Though the set drew primarily from his new industrial-rap-flavored album, Rundgren reinterpreted songs from his back-catalogue with surprising results. ''International Feel," from A Wizard/A True Star (1973), evolved into a hip-hop shuffle with deeply spiritual overtones. "Black and White," from Faithful (1976), took on a techno edge but retained its hard-rock urgency as Todd played the dominating guitar riff; the song's computer-sequenced backing tracks gave Rundgren a chance to stretch out on a long, blues-inspired solo. ''I Feel Too Good" - a cheeky tribute to the Beatles - out-kravitzed retro-rocker Lenny Kravitz with hooks lifted from "Fixing a Hole" and ''Penny Lane."

The "interactive" aspect of Rundgren's show was mostly confined to gadgetry. A video camera was passed around. Audience members of were invited to hit drumpads and bang cowbells during "Bang on the Drum All Day."

It was only when Rundgren turned off the machines and played 12-string guitar during what he jokingly called "the human part of the show" that the concept came to life. As the crowd sang along with the gorgeously supple ''Cliche" and the antiwar ballad "Lysistrata," TR-i and his audience became truly interactive.

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