Duck, Donald Duck Every Group Is Gunning For The Animation King

July 10, 1998|by Rose DeWolf, Daily News Staff Writer

Uh oh. It's starting again.

Disney's latest movie for kids, ``Mulan,'' has opened to good reviews - indeed, to many enthusiastic raves. It's been called a story that teaches kids lessons about courage, honor, determination and devotion to family.

And yet, at the same time, some reviewers have criticized it for sending bad messages to impressionable youth.

The nay-sayers pick on it for ``political correctness'' because the heroine succeeds in a traditional male role. It has been attacked for displaying what one critic described as ``men-are-pigs'' stereotypes.

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Other critics take issue with a scene in which a dragon does a ``mocking impression of a Christian evangelist,'' and for scenes portraying violence. Asked one: ``Is becoming more adept than males at violence really progress for women?''

This kind of mixed reaction is typical for Disney movies. It seems to be a curse no Disney release can escape. Why?

``Because it's Disney and because it's a film for kids,'' according to Chuck Kleinhans, associate professor of radio, TV and film at Northwestern University.

``The public is very invested in Walt Disney products,'' he explains, ``because Disney has a reputation for making films it's safe to take/send your kids to . . . films that have `good messages' and `positive endings' and affirm `family values.' ''

But it's precisely because Disney films are believed to influence children that critics find it easy to be negative about them, he adds. ``Either a film will be seen as too goody-goody or, from a more critical point of view, a reinforcement of some doubtful values.''

``Pocahontas,'' for example, was seen by some as an ``ambassadress of multiculturalism'' who works for peace between her people and the English. But, Kleinhans notes, others denounced the film as a ``soft sell for imperialism.'' (Yo!, Poca, you don't fall for a guy who comes to conquer your people and grab your land.)

``Disney will always draw criticism,'' says Kathy Merlock-Jackson, Disney historian and chairman of the communications department at Virginia Wesleyan College, simply because it ``sets the standard in animation. Everybody else either imitates it or reacts to it.''

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