Modest Mouse Carries Alt-rock Banner At Factory

Posted: September 27, 2000

Modest Mouse is quite possibly the last guinea pig in the great, now largely abandoned, major-label alt-rock experiment. Throughout the '90s, the Big Five threw a lot of money at the kind of regular Joes who stand onstage wearing guitars and the T-shirts they woke up in, playing irregular and often transcendental rock music - with mixed commercial results.

And no, we're not talking about Creed or matchbox twenty or Third Eye Blind, or any of the other modern-rockers disingenuously waving the flag of alternative. We're talking about bands that released records on independent labels, perfected their club tans on the road, and ripened on the vine of college radio before being cherry-picked by the majors.

Modest Mouse, which played Monday at the Electric Factory, fits the profile down to the droopy T-shirts. Epic dropped the trio's The Moon & Antarctica on the market in June, and it sounds as if the guys drink in the same Seattle bar as Built to Spill, another great white indie hope languishing in the noncommercial ghetto of the major labels.

Most Modest Mouse songs start as hushed lullabies, build into soaring, big-tent rock crescendos on the choruses, then deflate into a billowy curtain of guitar on the verses. Other times, it's clear they've heard the Pixies and they really like them. On record, double tracking does wonders for vocalist Isaac Brock, but live his voice is a thin, clipped yelp that often erupts into a lacerating scream. Closer to mighty than modest, the Mouse roared Monday night.

Black Heart Procession opened the show with what sounded like the spooky soundtrack of a long-forgotten late-'60s Roger Corman biker flick. An avowed fan says it took him a full year to get used to the sound of singer Pall A. Jenkins' voice. Sounds about right.

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