With satire-lovers going to the dogs to catch the art- house hit Best in Show, the mockumentary is flourishing, and you can try an even meaner exercise in faux filmmaking in Gordon Eriksen's The Love Machine.
The movie, which played the Philadelphia International Gay and Lesbian Film Festival earlier this year, is well worth a trip to Moore College of Art and Design.
A fake documentary lives or dies by its cast. If the actors don't play their parts straight and don't hit the right pitch, things tend to fall apart.