The Oceanaire

The Minneapolis seafood chain's spacious place on Washington Square is charting dual courses - old standbys and contemporary inspirations.

April 29, 2007|By Craig LaBan, Inquirer Restaurant Critic

Mounted sailfish were soaring up the walls of the Oceanaire in schools of lacquered blue splendor. An old Andrews Sisters tune boogie-woogied down from the mezzanine above, filling the snazzy deco dining room with a little retro shimmy.

And as a crew-cut waiter in white coat ignited the neighboring table's Baked Alaska in a pouf of dripping blue flame - "Don't be afraid!" he said, with practiced theatricality - I could almost imagine the grand old cruise ship moving.

There is no ocean, of course, beneath the Oceanaire, the Minneapolis-based seafood chain that opened last fall off Washington Square. But the lofty space, cast from the bones of the historic PSFS building, is about as huge and comfy as a luxury liner, with seating for 350 in its red-leather booths and spacious, white-linen-draped tables. It also goes full speed ahead in the pursuit of old-time nostalgia, from the sleekly polished decor to a litany of kitschy details, like the relish tray laden with herring, celery and canned olives that might have been better left to that bygone era.

The whole notion of presenting a gussied-up retro fish house to Philadelphians is not without its irony. After all, we helped invent the genre. But we also witnessed its sad decline, as the grand pepper-pot palaces eventually faded into frumpy neglect and irrelevance. Can interest in such a relic be revived in the era of chef-driven storefront bistros? Is there a place anymore for a plate of simply grilled fish?

The Oceanaire aims to serve it both ways, with a dual-concept menu that nods to unadorned chowder-house standbys, but also presents numerous dishes inspired by a considerably more contemporary feel. And it has a swimming chance with a chef like Anthony Bonett, a Striped Bass and Tony Clark alum who made his lasting lead-chef impression as a modernist at Opus 251.

One gets a quick sense of his skill with a dish like his almond-crusted halibut, a thick slice of luscious Alaskan fish posed over a zesty white gazpacho made from blended cucumbers and romaine. A sliced asparagus and roasted marcona-almond salad on top lends the final Spanish touch. A seared scallop special was equally stunning, the juicy white rounds paired with lentils and bittersweet candied kumquats scented with orange and cardamom.

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