Based on the best-selling memoir by John Grogan, a former columnist for The Inquirer, Marley & Me operates on the assumption that happiness is a warm tongue bath. And those who endorse this belief will enjoy this shaggy dog story.
By shaggy dog, I mean that
Marley is both a tale about a nappy canine as well as a long-winded yarn in which nothing - and everything - happens.
The anecdotal structure does not make for a gripping movie. For one thing, there's no conflict, unless you count the tension between a guy and his untrainable pooch. Yet Marley boasts animal magnetism.
Director David Frankel (The Devil Wears Prada) cultivates this, maintaining his focus on how the dog changes people rather than on how people change each other. Wilson, whom I've long thought of as a two-legged retriever, spends more screen time talking to one of the 22 dogs that play Marley, confiding fears and hopes, than he does with nominal costar Jennifer Aniston.
Mawkish? Sometimes. But often very funny and occasionally very moving. Frankel's film distills the essence of the dog/man relationship: Because of their accelerated life cycle, dogs show humans how to give unconditional love - both when bouncing with energy or when riddled with arthritis.
The film opens with the wedding of ambitious Jenny (Aniston) and lackadaisical John, both journalists. She actively organizes their life, he passively takes things as they come.
When John senses that the next step on Jenny's to-do list is to have a baby, he gets her a dog, a more convenient object of her maternal impulses.
Aniston, Wilson and the straw-colored puppy look like a family - or at very least, like creatures who consult the same colorist. In the movie Marley helps the Grogans rehearse parenthood: As a couple they learn to care for this creature.
What they do not learn is how to set limits for this pillow-shredding, bra-chewing, turkey-stealing pup, an omnivore with an insatiable appetite that ranges from drywall to mangoes.