A mildly amusing 'Blob' salute

Posted: April 03, 2009

The cars and clothes are vintage '50s, and the title on the marquee of the little Mojave, Calif., moviehouse announces the Ike-era sci-fi cheeseball classic The Blob.

R.W. Goodwin's Alien Trespass is a campy homage to those days of malt shops, drive-ins, and saucer-shaped UFOs - you know, the ones that go crashing into nearby buttes, unleashing terrible terrors from another galaxy.

Presenting itself as a long-lost '50s find (there's even a phony black-and-white newsreel before the "film" gets under way), Alien Trespass wants to both parody and pay tribute to its sources: those low-budget tales of malevolent Martians and zombie E.T.s that stalked the planet, and the local theater, in the mid-20th century.

But re-creating the camp and kitsch of a bygone era has its limits - at a certain point you find yourself thinking, why not watch the real It Came From Outer Space, instead of this mildly amusing replica?

Goodwin, a veteran of TV's X-Files, dresses his tongue-in-cheek cast in letter sweaters and poodle skirts, tweeds and ties. Eric McCormack is the pipe-smoking scientist who - curiosity getting the better of him - wanders up the ramp of the crash-landed spaceship, only to reemerge a little while later delivering his lines in a robotic monotone. His wife, the va-va-voom-y Lana (Jody Thompson), hardly knows the guy.

What could have happened?

There's the usual crowd of teens (actors up there in their 20s), a pretty diner waitress (Jenni Baird) with artsy ambitions, the slow-on-the-uptake cops (including Robert Patrick), and, yes, the trespasser from another time zone. Multitentacled, with a giant red eye and a habit of turning humans into root-beer-colored goop, he (she? it?) would be right at home in DreamWorks' Monsters vs. Aliens.


Contact movie critic Steven Rea at 215-854-5629 or srea@phillynews.com.

Read his blog, "On Movies Online," at http://onmoviesonline.

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