When a sports manager (Guillermo Francella) happens on the Verduscos in mid-match on a dusty soccer field, it almost seems too good to be true. Tato, a skilled striker with an old-fashioned playing style, is the first to find a place on a pro team - moving from a cramped Mexico City apartment shared with fellow novices to his own deluxe manse as his scores, and celebrity, ascend. Enter the calendar pinup and spokesmodel Maya (Jessica Mas), a dreamboat who appears as dazzled by Tato's talents as he is by her.
Before long, brother Beto is recruited, too. He's a seemingly invincible goalie, and likewise becomes a star in the crazy world of soccer. Praised and pursued by fans, Beto's trajectory seems skyward bound - but his old gambling habits are hard to kick, and so is a new one introduced by a slick casino operator: cocaine.
Unlike Sugar, Ryan Fleck and Anna Boden's quietly powerful portrait of a Dominican baseball player's pursuit of a place in the big leagues, Rudo y Cursi has a giddy, breakneck nuttiness about it. Bernal and Luna don't exactly play it for laughs - their characters face a series of daunting opportunities and dilemmas, and the two brothers don't always make the right choices.
But Cuarón is having fun, too. Without getting heavy-handed, the first-time (feature) director manages to mock and skewer 1) Mexico's soccer hooliganism, 2) its thriving and violent drug rings, 3) its tabloid journalism, 4) its pop music, and 5) the sorry exploitation of its workforce. That's a mess of cultural issues to reckon with, and Rudo y Cursi deals with them while offering an engaging rags-to-riches sports fantasy.
That the fantasy comes crashing back to earth seems all but inevitable. That Rudo y Cursi doesn't crash in the process - that's muy bien.
Contact movie critic Steven Rea at 215-854-5629 or email@example.com. Read his blog, "On Movies Online," at http://go.philly.com/onmovies.