HAS MUSIC'S "most prestigious awards show" become less about the art, more about commerce and circus-style packaging?
That's the vibe we were feeling watching yesterday afternoon and evening's 52nd annual Grammy Awards, where last year's top disc and download sellers were also (surprise, surprise) this year's biggest Grammy winners - most prominently Wyomissing, Pa.'s "Fearless" country talent, Taylor Swift, and the destiny-achieving Beyonce, the Grammy night's overall top vote- getter.
A good 85 percent of the nationally televised portion of the show was actually devoted to over-the-top production numbers, from Philly girl Pink's Cirque Du Soleil-styled spin on a high flying human mobile to the 3-D spectacles-required debut of a music video for Michael Jackson's (and surviving friends) "Earth Song." (Just the latest in a series of tech innovations - from surround sound to high def - to debut on the Grammys.)

