'Contested Will' proves Shakespeare wrote it all

June 27, 2010
(Page 3 of 3)

And he freelanced, taking a hand in plays that now bear others' names or no name at all. In the stretch run of his career, he teamed with John Fletcher for his last plays. His coworkers, friends, and fellow writers remembered and valued him.

As Shapiro gently insists, this constant, vigorous collaboration, just by itself, makes it vanishingly, crushingly unlikely that anything like the conspiracy, or misprision, or switcheroo, invoked in the supposed "controversy" ever happened.

Shakespeare is not a particularly mysterious figure. It's amazing, at four centuries' remove, that we have as much trace of him as we do, more, possibly, than of any other person of his era who did not hold public office. Of course, and again of course, there's much we'd like to know. His vast achievement fascinates. Like almost everyone else who writes about him, who reads him, who sees his plays, I, too, want to know more.

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That desire has, in the hands of others, created a fantasy-industrial complex that is a big waste of time. James Shapiro is far more polite than I just was - except in the impact of this elegant, devastatingly supported, unavoidable, and incontrovertible book. Contested Will should put an end to all the fiddle-dee-dee, poke a terminal needle into this thought balloon, but - such is the world's desire to know more, and to manufacture more when we cannot know - it probably won't.


John Timpane is media editor/writer for The Inquirer and was a university and college Shakespeare teacher for 16 years. Contact him at 215-854-4406, jt@phillynews.com or twitter.com/jtimpane.

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