The next wave of Shore dining

An era is ending with Busch's final season in Sea Isle City, but other restaurants are ready to fill the void.

July 04, 2010|By Craig LaBan, Inquirer Restaurant Critic
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  • The Rusty Nail boasts the longest bar and coldest beer in Cape May. Its fire pit and ample grounds lure diners and Beach Shack guests.

At the outset of most summers down the Jersey Shore, the prime mission has been to uncover the most exciting new places to eat. And this season, no doubt, has delivered plenty of intriguing novel flavors.

On the southern end of the coast (northern points will be discussed next Sunday), the crew behind Philly's Pub & Kitchen have created a chic seaside satellite in Avalon at the Diving Horse, where the stylish room and seasonal New American seafood have the makings of one of the summer's best new restaurants. There are stirrings in Cape May, after a recent lull, as some familiar places got makeovers, new addresses, and new chefs.

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This summer, however, I also found myself drawn back to one of the Shore's oldest, most unfashionable institutions - venerable Busch's in Sea Isle City, founded in 1882 - for the purpose of a farewell meal. After five generations in the same family, Busch's 128th season will be the final call for this giant fish house. And while the famously decadent she-crab soup was as good as ever - luxuriously creamy and jeweled with crab - it was also laced with bittersweet.

It's like a bad Jersey Shore remix of the Joni Mitchell song where, instead of paving paradise to put up a parking lot, the old seafood palace is getting mowed down for condos and mixed-use retail. Owner Al Schettig, who's finally pulling the plug, says it was no longer feasible to maintain the aging, block-long behemoth on a few months of seasonal business. He has promised a new chapter for Busch's, with plans for a take-out market across the street.

But as the ebullient Schettig recently worked a packed dining room of silver-haired regulars in his chef whites, pumping hands and trading stories, one could feel a sense of melancholy growing as a century-and-a-quarter's worth of history closes in.

"I feel the ghosts move me when I walk around - I feel it in my stomach," concedes Schettig. "I tell [the guests] thank you, then have to walk away before I start to cry."

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