Slow-moving and sly, Everyone Else, from the German director Maren Ade, dissects a relationship between a man and a woman on vacation in Sardinia in ways that are both stunningly perceptive and a little frightening, too.
Chris (Lars Eidinger) is a talented but still struggling architect whose mother has lent him her house in the rocky hills of the idyllic Italian isle. Gitti (Birgit Minichmayr) is a music-biz publicist who comes across as flaky, a little off. For the first half of Ade's sharply observed piece, the young couple eat, sleep, make love, argue, reconcile, argue, reconcile. Like a German mumblecore film, not much happens. There is a lot of talk and a lot of silence, and deep, conflicting emotions are revealed.