On Movies: How myth-makers distorted Tillman's death

September 05, 2010|By Steven Rea, Inquirer Columnist
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  • The story of Pat Tillman , killed in Afghanistan, "is a story, really, about publicists behind the scenes," says documentarian Amir Bar-Lev, and "do you want publicists running our wars?"
  • The story of Pat Tillman , killed in Afghanistan, "is a story, really, about publicists behind the scenes," says documentarian Amir Bar-Lev, and "do you want publicists running our wars?"
  • Footage of Army Private Jessica Lynch is incorporated in "The Tillman Story." Filmmaker Bar-Lev says she and Tillman were both "characters derived straight out of our movie mythology."

On April 22, 2004, Pat Tillman was shot and killed in a mountain pass in Afghanistan. The initial reports said that Tillman - the Arizona Cardinals defensive safety who left the NFL and enlisted in the Army after the attacks of 9/11 - had died while valiantly defending his fellow Rangers when they were caught in a Taliban ambush. It was a tragic story, and a great one.

Only problem: It wasn't true.

Five weeks later, the Army announced that Tillman had been killed by U.S. gunfire, a terrible mistake attributed to "the fog of war." But the spokesmen stuck to their story about the ambush, and the football star's valor in the heat of battle.

That, it turns out, wasn't true either.

Caught in the middle of the conflations and contradictions were the surviving members of Tillman's family: his mother, Mary "Dannie" Tillman; his two brothers, Kevin and Richard; his widow, Marie; and his father, Patrick Tillman Sr. They could easily have accepted the Army's version of events - after all, it painted their fallen loved one as a patriot, a hero.

But, as Amir Bar-Lev's wrenching documentary, The Tillman Story, reveals, the family was not ready to accept easy lies. Nor were they willing to let Pat become a symbol in a propaganda campaign. They insisted on finding out what really happened. And they defied the Pentagon, the White House, and Congress in their efforts to uncover the truth.

"There's something that we do - the media, the public - to a family in the role that the Tillmans were in that takes away their dignity," says Bar-Lev. "They can be used as a kind of prop for the pageantry that we wanted to put on to celebrate Pat Tillman's sacrifice. . . . But the Tillmans have hung onto their dignity. That's one of the most noble things about this family, is that they've resisted that. They've tried to seize control of their son's story, their husband's story, their brother's story."

Narrated by Josh Brolin, The Tillman Story - which opened Friday at the Ritz at the Bourse - offers a powerful portrait of a fiercely independent-minded clan, and an equally powerful condemnation of military and government institutions playing fast and loose with the facts. Bar-Lev's 2007 documentary My Kid Could Paint That similarly explored issues of truth: did a 4-year-old girl really paint these abstract artworks selling for five and six figures in New York galleries?

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