Flying monks, undersea oddity, more

September 05, 2010
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  • An intriguing title: "Persecution and Assassination of Jean-Paul Marat" - check out the full name of this Rotunda show for a hint of all it has to offer.
  • An intriguing title: "Persecution and Assassination of Jean-Paul Marat" - check out the full name of this Rotunda show for a hint of all it has to offer.
  • In "Chicken," Charlotte Ford is the captain of a submarine whose oddball occupants engage in absurd games of one-upsmanship.
  • Conor Lovett in "First Love." Alone under a spotlight, he finds punch linesin Samuel Beckett's grimmest observations.
  • At the Lars Jan installation at Theater West at the Hub, Fifth Street and Fairmount Avenue, Peter Hanley photographsa projection of himself performing. (See "Takes," B6.)
  • Adriano Shaplin and Jeb Kreager (right) perform in "Freedom Club," a joint production by Philadelphia's New Paradise Laboratories and New York's Riot Group.
  • "Sanctuary," by Brian Sanders' JUNK company, features Cirquedu Soleil-ish characters vaulting and swinging in nonstop action.

Sanctuary. Monks sporting multicolored mohawks dance with fire, walk on water, and perform aerial acrobatics in the wildly imaginative, Cirque du Soleil-ish Sanctuary, performed by Brian Sanders' company, JUNK.

Using found objects, some built into Alex Gartelmann's sets, others assembled on the spot, the 10 dancers vault over one another onto tables, perform highly gymnastic duets in shadow, and slip-slide through a long trough of water.

Sara McCorriston's costumes include flowing white robes that allow three dancers to perform a sort of rhythmic gymnastics routine with poles and fabric.

The show, set to '80s tunes, has a shock factor, as dancers run in and out of confessionals; sway with religious fervor on an apparatus that serves both as choral risers - with rays of Terry Smith's lighting shot through - and a carnival-like ride; and baptize one another before performing a sensual dance.

It's 45 minutes of nonstop, exhilarating, wondering-what's-next action that often has dancers swinging from the rafters on twirling straps or balancing on hanging metal cubes.

Friday's opening performance was dotted with small balance errors and problems with the sets. But it set the bar very high for Live Arts/Fringe shows to come.

See it!

- Ellen Dunkel


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$25-$30. 7 p.m. Sunday, Thursday, and Sept. 17; 9 p.m. Friday and Sept. 16 and 18; 4 p.m. Saturday and next Sunday. Theater East at the Hub, Fifth Street and Fairmount Avenue.

Chicken. For those of us who've always wondered just what they do for diversion in those confining submarines, theater artist Charlotte Ford offers a possibility: They spend their days one-upping one another, which organically leads to games of chicken.

So she offers - on a confined stage with a goofy mixture of '50s-style furnishings, gewgaws and radios and gauges, underwatery blue-lit walls (Thom Weaver's lighting), and thumping and whirring (James Sugg's sound) - the interior of a submarine, plus three characters with their own strange interiors.

Chicken is fun and often absurdly funny, laced with little plot surprises and tension that gives it a buzz, as if it's about to explode any second. It's also gross, in a strangely scintillating way; I'm not sharing any plot detail, because it would spoil the 70-minute ride. But think squid play. Pee jokes. Sexual angst.

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