Zenlike in its mix of the serene and the wise, the whimsical and the jarringly odd, Uncle Boonmee Who Can Recall His Past Lives, winner of the grand prize at the Cannes Film Festival in May, is a beautiful, slow-moving meditation on life, death, and relationships that transcend time and space.
Apichatpong Weerasethakul, the Thai director whose experimental fusions of fiction and documentary have won a passionate following in international cinema circles, opens Uncle Boonmee with a dreamlike excursion into the woods, where a water buffalo lopes in the dark. Later, there are sequences in a cave, and a mystical interspecies sexual coupling by a waterfall (OK, it's a princess and a catfish) - the imagery is rich with symbols of myth, of Jung.