But there was more to Day than first met the eye, noted McKay in a recent chat, prompted by her show Sunday at World Cafe Live. She first got interested in the now 88-year-old singer/actress from hearing about Day's pioneering work in animal rights, a passion Nellie shares.
And the same "first appearances are deceiving" notion also holds for McKay, an anomaly raised far off the beaten track, in the Pocono Mountains town of Stroudsburg, by her divorced mom Robin Pappas, a former actress who would became Nellie's manager and now album-producer. Also a big help in her teenage years was jazz great-in-residence Phil Woods, who counseled McKay then to "not think so much, just go for it."
Like Bette Midler, another quirky, time-warp character who worked equally well in cabaret and pop settings, McKay throws in lots of winks with her prayers. In one recent song ("Please") from her new "Home Sweet Mobile Home" album she intones, "Lord send me a hard luck childhood." In another, the carnival-funk rocker "No Equality," she reminds the emancipated ladies in the house that even today "it's an illusion, it wouldn't do a revolution."
Never easy to peg down, McKay won great reviews a few years back performing in a Broadway revival of "The Threepenny Opera." She's also acted and sung in the movie "P.S. I Love You" and contributed music to the Rob Reiner film "Rumor Has It," and the current HBO series "Boardwalk Empire."
And another of her recent albums, the especially terrific, I think, tongue-in-cheek Broadway parodying "Obligatory Villagers," has been turned into a dance suite called "Whoa, Nellie!" performed by the Chase Brock Experience.
We talked a bit about all that in a recent chat.