Andrea Clearfield's Center City living room is part Swiss chalet, part Craftsman-style attic, an impossible cone-shaped space held up with dark timber beams and accented with a Mercer tile fireplace. It's nothing for the successful composer to invite a hundred or so strangers up to her third-floor lair to listen to musicians perform, from willowy pianists fresh from Carnegie Hall to grizzled folkies singing boxcar blues. All she asks is that guests remove their shoes before plopping down on her beige carpet.
It's not only that she wants to keep people from tracking in dirt, although the no-shoes policy helps. Her real motivation is to give audiences the experience of listening to music in the most relaxed, unprocessed venue possible. When everyone is sitting around in socks, "it just creates a mood," she says.