Poetic approach defies labeling

Two area painters who tap into deep moods have solo exhibitions miles apart - Frank Hyder at Projects Gallery in Northern Liberties and Gerry Tuten at Rosemont College's Lawrence Gallery on the Main Line. Theirs is the kind of art that makes the never-ending debate about style seem tiresome, even trivial. Good and original work such as this isn't bound by stylistic labels - the art's important, not the category. These aren't trend shows, nor do they represent eccentric, out-of-the-mainstream perspectives.

Frank Hyder, who paints and does woodcuts in Northern Liberties and also keeps a studio in Miami, has traveled widely in South America and Mexico. That southern exposure suits him, but there also was a single life-changing experience that made all the difference - a year living and painting in the Venezuelan rain forest. He subsequently had solo exhibitions at five Venezuelan art museums between 1996 and 2002, and his fascination with the rain-forest environment continues in his Projects Gallery show, "Changing States."

Work like this opens the door to adventure, and the robust skill displayed in the rain-forest installation in particular - the show's centerpiece - is quickly evident. Spirited and unpretentious, never slick, it portrays nature in fresh, unfamiliar ways, with green growth all around and no sky visible. In this darkened space are several light sources - 3-D luminary forms he designed. These are sheathed in translucent woodcuts, appealing for their paper's odd, leathery texture and more succulent touches.

Hyder also shows himself to be an artist awakened by the present moment, encouraging us to marvel at the world's rain forests while aware of the uncertainty of their survival. The artist's personal energy holds the social message to the realm of painting and printmaking; he doesn't want to make it any more explicit. Shape, and more often line and texture, build the pictorial narrative as a whole. This show caps a vigorous body of works.

Gerry Tuten of Villanova, (who, like Hyder, has an M.F.A.), had raised a family and was looking for a new challenge when she became very serious as an abstract painter. As she learned to work less intentionally and with greater freedom, she became eager to share the intense sense of freedom and joy she feels in the physical action and mark-making that go into energetically putting acrylic paint on canvas.