Since Romona Riscoe Benson, now president and chief executive, came up with a plan to surmount the 2004 emergency, the museum has sharpened its focus, diversified its funding, and is emerging as a critical part of the city's cultural identity.
"Because the African American Museum has such a long history in the community, they serve as anchor for other, newer cultural institutions," said Tarana Burke, managing director at Art Sanctuary in North Philadelphia.
"We regard the African American Museum as both a museum of African American history and as a museum that collects African American art," said Calvin Bland, a museum board member since 1999. "The museum has always been, and now is, important to all. As a society, we properly embrace our diverse roots, seek to understand our history and aspirations so we can better work with one another. I want to emphasize that: This is a museum that's important for all of us, not only African Americans."
Riscoe Benson, 51, a business consultant, is widely credited with stepping into 2004's unpredictable situation with a plan focused on stabilizing finances and reorganizing operations.
The museum was one of three funded by the city to celebrate the nation's bicentennial. The Living History Museum lasted a few years before shuttering, unable to finance operations. The Mummers Museum in South Philadelphia still operates.
The African American Museum was not originally part of Mayor Frank Rizzo's museum-construction mania. But it was pushed by black civic and cultural leaders before City Council, and he subsequently agreed to the plan.