Paintings prominent in 'Art of State'

The 44th exhibition in Harrisburg features works by 133 Pa. artists, many from the Philadelphia area.

July 29, 2011|By Victoria Donohoe, For The Inquirer
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  • Photography "best in show," by Lydia Panas of Kutztown, Berks County, at the Art of the State show at the State Museum of Pennsylvania.
  • Photography "best in show," by Lydia Panas of Kutztown, Berks County, at the Art of the State show at the State Museum of Pennsylvania.
  • A wood vase of curly maple and bocote, made by Garth Jones of Pittsburgh.

There's now a familiar resonance about the comfortable way artists from across the commonwealth come together annually to participate in Harrisburg's "Art of the State" displays. This year's 44th juried exhibition - widely recognized as the official statewide competition for Pennsylvania artists - features 135 works by 133 artists from 35 counties, chosen from 1,933 entries submitted by 727 artists.

Its location is the official State Museum of Pennsylvania, which has 4.5 million objects in its collections, and 100,000 square feet of permanent and temporary exhibition space in a doughnut-shaped building next to the State Capitol. The show is cosponsored by the Greater Harrisburg Arts Council.

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Eastern Pennsylvania artists, predictably, tend to turn out in large numbers, with Philadelphia and its closest suburban counties (Bucks, Chester, Delaware, and Montgomery) usually accounting, as they do this year, for a third of the works on view. This year the five counties also captured one-quarter of the show's prizes and honorable mentions.

The great art form of painting sometimes seems marginal to our culture nowadays, but in this show it tries to stand tall, and often succeeds. Example: Allentown Panorama by Peter Schnore of Boyertown, which took a first in painting. This city overview has unusual depth, the image firmly connected to its place and conveyed with a sense of humility and continuity between past and present. The 2011 recognition for Schnore calls overdue attention to his long-standing interest in panoramic subjects.

Another must-see painting is third-prize winner Sickelm's Eye, a startlingly realistic larger-than-life image of a man's face by Nathan Marzen - art collections manager at the Allentown Art Museum - that wins you over with its verve. Two other paintings that offer a fresh point of view on everyday experience are Jeff Bye of Hershey's painterly airport overview Terminal, which won second prize, and Philadelphian John Pacer's oil triptych Voyeur, a gently witty theatrical portrayal of a young girl applying makeup in a domestic setting. Pacer's is an ambitious handling of a composition that keeps opposing energies simultaneously alive.

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