New Recordings

November 27, 2011

Pop

Talk That Talk
(Def Jam ***)

One of the upsides of the singles-oriented world we live in is that big pop stars need to produce hit songs continually, lest they be forgotten by their fickle, no-attention-span fans. And nobody works it as well as Rihanna, who releases an album every year, without a dud among them. This year's model, Talk That Talk, is notable because while it remains highly titillating - the Barbadian beauty is keen "to be your sex slave," apparently - it's largely free of the Sturm und Drang that marked such S&M-tinged, self-consciously envelope-pushing efforts as 2009's Rated R. Instead, Talk That Talk sashays with a lighter touch, as with the throbbing club-music blowout "We Found Love," which features a guest spot by Calvin Harris, or the grabby Notorious B.I.G.-sampling "Talk That Talk," which employs a guest rap by Jay-Z. Rihanna is never demure and often crass - see "Cockiness (Love It)" - but she's one Madonna acolyte who puts lessons learned from the Material Girl into practice without being overly slavish. And while not given to highly ambitious artistic or deeply personal statements, she's a hook-singing, hip-hop hitmaker par excellence with a distinctive siren's call she's too savvy to bludgeon the listener with in the manner of too many other pop divas.

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- Dan DeLuca

Anar
(Anti ***

Marketa Irglova's career began when the Czech-born pianist and singer, then 18, played opposite Glen Hansard of the Irish band the Frames in the 2006 indie film Once. She and Hansard won an Oscar for the song "Falling Slowly," and the pair have released two passionate albums as the Swell Season. They have since ended their offstage romance, and the Swell Season is on a hiatus that they promise is temporary.

That hiatus prompted Irglova's first solo album, the moody, tender Anar. It's full of somber piano ballads, often reminiscent of Tori Amos or Joni Mitchell: poetic, nocturnal, intimate but forceful. Although a few tracks have horns or strings, and most feature the dramatic percussion of Aida Shahghasemi, Irglova's florid piano is the heart of the songs. Compared to the Swell Season's work, Anar is a bit monochromatic, but its shades are beautiful.

- Steve Klinge


Marketa Irglova with Sean Rowe and Diego Garcia play 7 p.m. Tuesday at the Theatre of Living Arts, 334 South St. Tickets: $19-$25. Information: 215-922-1011, www.livenation.com.

Panic of Looking
(Warp ***)

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