Amy Aldridge is an ideal Sugar Plum, smiling and beautiful. She upped the role on Saturday, with great reactions as the Prince mimed his battle with the Mouse King. She also added extra turns to her pirouettes, twice doing four rotations. Only her partnering with Zachary Hench as her Cavalier now and then seemed forced.
Barette Vance Widell danced Dewdrop, a gorgeous fairy who jetés and flits on and off stage among the flowers. Her solo featured a set of fouettés that she finished with a fast double turn.
Other notables include Brooke Moore as the female lead in Hot Chocolate, who performs in a group of 10 dancers but is magnetic in the role. Alexander Peters, an apprentice, was a sharp, precise Soldier doll, something the part demands but doesn't always get.
Riolama Lorenzo has been off the stage for several months, and it was wonderful to see her back as the sultry Coffee, performing with a bare midriff and sixpack abs that made it hard to believe she had a baby girl in July. There won't be many more opportunities to see her, though; she is retiring from the company in February.
Jermel Johnson excels in roles that require high jumps and extreme flexibility, and he brought both to Tea, with Carfolite and Ryan. This is the one divertissement that, while entertaining, also seems extremely dated, with non-Asian dancers representing Chinese people and performing stereotypical movements. Yet somehow, with an African American man and two white women in the roles, the politically incorrect aspect was played down.
One section that needs work is the Angel dance. The children in beautiful costumes are a joy to watch, but they do not float as they do in New York City Ballet, which dances the same Balanchine choreography. Either the children's steps need to be smaller and faster or the dresses longer, to hide their feet.
With low-tech magic and a top-notch cast, Nutcracker is a holiday favorite for good reason. Catch it if you can. If you can't, stop by the Comcast Center, where Pennsylvania Ballet is part of the new holiday show on the wall.
Contact writer Ellen Dunkel at firstname.lastname@example.org.
George Balanchine's The Nutcracker
Through Dec. 31 at the Academy of Music, Broad and Locust Streets. Tickets: $20-$140.
215-893-1999 or www.paballet.org.