Still, Valerio describes his acquisition budget as "pennies" (the museum's overall budget is $2 million). He watches at Freeman's auctions as works he covets - just one, perhaps, of 50 Bo Bartletts recently sold - become priced out of reach. (On his wish list: Horace Pippin, Jessie Willcox Smith).
Matt Palczynski, a staff lecturer at the Philadephia Museum of Art, is to take on a new post as Woodmere's new curator, and is already in on the planning for a new exhibition: "Philadelphia Realism on the Edge," featuring the work of Peter Paone. Valerio is also in the midst of placing the entire collection online at http://woodmere.yourcontentcounts.com/.
He's also given thought and resources to renovation, putting aside for now controversial plans to expand. He's torn up carpets, pulled down fabric, repainted, and transformed the main rotunda space into a spare, stylish exhibition hall in which he stages Friday jazz concerts.
On a recent day, financial people at Woodmere were giving tours to bankers, and the boardroom was filled with works he's pondering for a future show on painters painting families - the kind of outside-the-box idea that appeals to him, from both an intellectual and a popular perspective. His canvas is ever ready.
He'd like to make the entire complex more inviting - grounds, museum, and eventually that distinctive tower, which currently is pretty much off limits. It's a little complicated to get up there, but when he does, there's almost nothing Bill Valerio can't see.
Contact staff writer Amy S. Rosenberg at arosenberg@phillynews.com or @amysrosenberg on twitter.