New Recordings

February 12, 2012

Pop

A Different Kind Of Truth
(Interscope **1/2)

Eddie Van Halen is on fire, but where are the songs?

There's a lot that's good, and good-natured, about A Different Kind Of Truth, the first album that the still-combustibly carefree-sounding rock quartet bearing the name of Van Halen (as well as his drummer brother Alex and bassist son Wolfgang) has recorded with David Lee Roth in 27 years.

For one thing, there's Roth, who reunited with the band for a tour in 2007 and will join the VH family for a much-anticipated jaunt that will bring them to Philadelphia and Atlantic City in March. The 56-year-old professionally charming cad has lost much of his vocal range.

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But he still knows how to have a good time, whether offhandedly noting in "The Trouble With Never" that "selective amnesia is only a heartbeat away" or delighting in the philosophical ponderings of the turbocharged, talking blues in "Stay Frosty." Roth's self-mocking flamboyance qualifies him as one of rock's great showmen, and when that's coupled with the dazzling dexterity of Eddie's lightning runs and a thunderous rhythm section, you're back behind the wheel of that Camaro you drove in 1985 with a beer between your legs.

The trouble is that even though many of the songs are reworked versions of 1970s demos (or maybe because of that), with a few notable exceptions like "Blood and Fire," they're largely lacking in the melodic pizzazz that turned VH into such a hit machine in their heyday. A complete, respectable effort that avoids nearly all of the pitfalls typical of decades-in-the-making reunions, but short of songs that can stand up to "Hot for Teacher."

- Dan DeLuca

Form & Control
(Tummy Touch ***)

On Form & Control, Phenomenal Handclap Band's second album, the New York sextet leads with the catchy electroclash tune "Following." Next up is dancehall disco, then some glam- and art-rock thrown in for good measure. Much of the album, in fact, is an homage to eras-past melodies, instrumentation, and lyrics, with even ABBA-inspired attire and coiffures.

What's missing from Form & Control, however, are the soul influences inherent in the group's name. They were readily apparent on the group's 2009 self-named debut album, where the band recreated the soulful, sensual, and playful '60s without resorting to blatant derivation.

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