After years of renovation and crisis, Atwater Kent museum will reopen two galleries

February 14, 2012|By Stephan Salisbury, Inquirer Culture Writer
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  • Charles Croce, of the Philadelphia History Museum at the Atwater Kent, said: "The whole point . . . is just to get back on the radar." The museum has been closed for three years.
  • Charles Croce, of the Philadelphia History Museum at the Atwater Kent, said: "The whole point . . . is just to get back on the radar." The museum has been closed for three years. (MICHAEL S. WIRTZ / Staff…)
  • Civil War swords made in Philadelphia are part of the museum's collection. The first phase of the reopening happens Wednesday. A museum trustee said he expected a full reopening by the summer.
  • Surveyor John Ladd used this brass compass in the 1680s to lay out Philadelphia's first streets for William Penn.

After more than three years of darkness, two front galleries and a reception area will open to the public Wednesday at the Philadelphia History Museum at the Atwater Kent.

That may not sound like much, but for the beleaguered museum, closed for long renovations marred by financial and planning miscues, it is a welcome sign of life.

"The whole point, in my mind, is just to get back on the radar," said museum head Charles Croce. "Have people drop by and at least get a taste. This institution has been closed for three years now, so this is a taste. This is an appetizer. This is a preview."

Story continues below.

The rest of the revamped three-story building, the original home of the Franklin Institute at 15 S. Seventh St., should open by late June, Croce said.

In January 2009, the museum - then known as the Atwater Kent Museum of Philadelphia - closed to begin a nearly $6 million overhaul of its interior, systems, and exhibition spaces. Officials said the building would reopen in the fall of 2010.

That schedule proved impossible to meet. Funds were scarce amid the nationwide fiscal crisis, installation planning was placed on the back burner, and construction moved slowly.

A series of sales of art and objects from the museum's collection - most recently Charles Willson Peale's portrait Yarrow Mamout (1819), sold to the Philadelphia Museum of Art last year - stirred considerable public concern.

The proceeds of the Mamout sale, estimated at more than $1.5 million, were used to defray the museum's debt and open the way to completion of renovations.

Croce has said that the art and artifact sales for funding renovation and repaying debt have ended and that the galleries opening Wednesday are a foreshadowing of the museum to come.

Trustee David Rasner, on the board for almost 20 years, said he was confident the museum would raise all additional funds needed for a complete opening this summer.

"But I do worry about sustainability . . . and continuity," Rasner said. "That means maintaining quality programming, maintaining quality exhibitions, maintaining quality staff, and raising the funds to make that happen. The museum has never been funded adequately. It's been on a shoestring."

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