Nikolai Gogol, the 19th-century Russian writer with a strong sense of the ridiculopathy of life - after all, he wrote a story about a nose - would seem to be a perfect fit for the Idiopathic Ridiculopathy Consortium, a theater company specializing in Theater of the Absurd, though Gogol's play Marriage (an utterly improbably occurrence in two acts) isn't really absurdist drama - it's a farce, complete with loud voices, many doors, (and a significant window).
Under Tina Brock's direction, everything is farcically exaggerated: costumes (Erica Hoeschler) and a nifty set (Anna Kiraly) on which all the much-discussed furnishings are flat, painted images, with flat, painted trees outside. It's all amusing, in that broad, 19th-century Russian way.