Howlin Rain, others spread somber groove

February 21, 2012|BY JONATHAN TAKIFF
  • Angelique Kidjo releases first concert album.

DON'T MEAN to be glum or weird. But I was feeling lots of "beyond the grave" vibes rising out of this week's new releases pile from artists like Howlin Rain, Don Bryon, Angelique Kidjo and the Grateful Dead.

HEAR THEM ROAR: Everyone connects music to people and events. For me, Howlin Rain's "The Russian Wilds" (American, A-) will always be associated with a mobile message that came through while I was listening: an alert that Steve Leon had died of a massive heart attack.

Better known to radio listeners of WDAS-FM in its underground rock phase as "My Father's Son" (dad Max owned the station), Steve was one crazy dude. He'd go on the air sounding like he was high as a kite. And he sometimes freaked out listeners by playing two records at once (very annoying, if you weren't in the right mood). I always enjoyed his special taste in soulfully psychedelic rock, though, which is where Howlin Rain fits in, with almost scary synchronicity.

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San Francisco-based and produced by Rick Rubin, Howlin's a throwback to the "electric ballroom" era of the brain-frying sounds to which Leon danced. There's a mess of bluesy white boy belting (think Vanilla Fudge or Steve Marriott fronting Humble Pie) on tracks like "Dark Side," plus a fair share of high-flying guitar improvisation akin to Jimi Hendrix - check out "Walking Through Stone."

But not willing to be pinned down too narrowly, Howlin Rain also throws some sweetly harmonic vocal skills into the "Collage" and even lays on some jazz vamps à la Santana or Steely Dan. Get a taste of the spooky "Phantom in the Valley" here: www.yousendit.com/download/

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NEW-TIME RELIGION: Listened to a lot of the four-hour Whitney Houston "homegoing" church service last Saturday on Sirius/XM. Then got an even bigger charge of religion from Don Byron's New Gospel Quintet on "Love, Peace, and Soul" (Savoy Jazz, B+). Herein, the saxophone/clarinet player and friends (including vocalist DK Dyson) rework classics by Thomas A. Dorsey, the father of modern gospel music. In the process they're adding an invigorating, improv jazz flavor that really swings and inspires. The set's also meant to evoke (at least with daring intent and album art) the crossover spirit of Philadelphia's own Sister Rosetta Tharpe.

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