Jean Dujardin, who stars in The Artist as the silent-era screen idol struggling to make the transition to talkies, is the first Frenchman to win the best-actor Oscar. George Clooney, nominated for his beautifully nuanced work in The Descendants, will have to wait another day. And year.
The Oscar for actress in a leading role went to Meryl Streep, for her decades-spanning portrait of British Prime Minister Margaret Thatcher in The Iron Lady. It was Streep's 17th nomination, but the first time she took home an Oscar in 29 years; then, she won for Sophie's Choice. Streep is now in the three-peat club, having won a supporting-actress Academy Award for Kramer vs. Kramer.
Moviedom's betuxed and begowned luminaries stepped off the red carpet and into a remade, and rechristened, movie palace - the Hollywood and Highland Center, known until just this week as the Kodak - to bathe in a glamorous retro glow. (The Kodak company is in bankruptcy, and gave up its naming rights for the theater, which emcee Billy Crystal dubbed "the beautiful Chapter 11 Theatre.")
The celebration of movies' "glorious past" (per Morgan Freeman, the first star to step on the stage) and their perhaps-not-so-glorious present began with Crystal, host of telecast for the ninth time, inserting himself into a montage of clip mock-offs and offering his traditional song-and-dance medley honoring (kind of) this year's nine best-picture nominees.
Octavia Spencer won the supporting-actress prize in the earliest of the evening's major awards. Spencer, a first-time Oscar nominee, won for her scene-stealing performance in The Help as a feisty and acerbic Mississippi maid. She accepted the award happily, and tearfully.
Christopher Plummer won the supporting-actor Oscar, for his performance in Beginners, playing a father who comes out of the closet late in his life. The veteran actor accepted the much-deserved statuette with a gracious nod to his competition in the category, which included the also-82-year-old Max von Sydow. Plummer held his Oscar aloft and quipped, "You're only two years older than me, darling. Where have you been all my life?"
With best-picture contenders The Artist, Hugo, Midnight in Paris, and War Horse all steeped in nostalgia, and with the Oscars' venue dressed up to resemble a grand, old-fashioned bijou, the evening's ceremony was as much a loving look back through decades of movie-making as it was a salute to the movies of 2011, some still playing in the multiplexes, others streaming and just out on DVD.
The first of the night's Academy Awards went to Robert Richardson for the eye-popping 3-D cinematography on Martin Scorsese's best picture nominee, the children's fantasy Hugo. Hugo also pocketed early prizes for art direction, sound editing and mixing. If there were surprises to be had, they were few and far between: an editing award for The Girl with the Dragon Tattoo even shocked its speechless editing duo. Woody Allen, on the other hand, was expected to win the best-original-screenplay Oscar for his hit Midnight in Paris, and he did, although characteristically, Allen was not present to receive his award.
The adapted-screenplay Oscar went to Alexander Payne and his co-writers for The Descendants, working from the Kaui Hart Hemmings novel.
A Separation, the Iranian drama about a couple lost in a tumult of domestic and moral concerns, won the Oscar for best foreign-language film. It was the first Academy Award for a feature from the troubled Middle Eastern country. Asghar Farhadi, the film's director, had also been nominated in the best-original-screenplay category.
Rango, the enjoyably wacko, Johnny Depp-voiced tale of a lizard lawman, came away with the best-animated-feature Academy Award, winning over two box-office hits (Kung Fu Panda 2 and Puss In Boots) and two little-seen cartoon imports (A Cat in Paris and Chico & Rita).
Undefeated, a documentary about an underdog high school football team, its trouble-plagued players, and inspirational coach, won the documentary feature Oscar. The film, which opens locally Friday, plays like a verite version of The Blind Side.
Contact movie critic Steven Rea at 215-854-5629 or email@example.com. Read his blog, "On Movies Online," at www.philly.com/onmovies