In recent years Les Ballets Jazz de Montreal has changed mightily; since I last saw it in Philadelphia eight years ago, the company has replaced all but one of its members, Youri de Wilde. He returned, along with many new faces and some really great legs in the cast to dance the world premiere of Wen Wei Wang’s Night Box as well as Aszure Barton’s Les Chambres des Jacques at the Annenberg Center’s Dance Celebration series Thursday evening. And what crowd-pleasers they were.
Wang’s piece opens with a cluster of dancers, backs to us, isolating torsos, arms, and necks like figures in a video game. As a foggy-night cityscape looms above them in projection, they break into club dancing. One woman is picked to be held aloft, passed from man to man. The men dance in line, holding their hands open in front of their heads. Soon the women slide (which they do in several sequences, all wearing ankle socks) into the line; they fill the men’s empty hands with their heads and form a sort of conga line.