Music Review: EL-P and MC Killer Mike at the Trocadero

Posted: July 16, 2012

If alternative hip hop ever went looking for heroes, it could have thrown a rock and hit two of them on Saturday night when producer/rapper EL-P and MC Killer Mike packed the Trocadero.

Not to be confused with progressive-rock elders ELP (Emerson Lake and Palmer), the Brooklyn-raised Jaime Meline has been making noncommercial, noisily low-fidelity music with harsh lyrics since the 1990s with his Company Flow trio. After going solo, he put his money where his mouth was in the early 2000s when he started the Def Jux label and released equally adventurous offerings such as Aesop Rock and Philly's RJD2. In 2012, EL-P proved his commitment to aggressive alternative hop by releasing his own best work in years, Cancer 4 Cure, as well as producing and yapping on Killer Mike's mouthy masterpiece, R.A.P. Music.

This wasn't corporate hip hop filled with boastful champagne toasting, clean beats, and singsong choruses. This was raw and real.

EL-P pretty much summed up his role in hip hop from the start of his Troc gig. "I'm a Garbage Pail Kid calamity artist," EL-P barked during his set's first song, the murkily psychedelic "Request Denied." With a drumming guitarist and a DJ/programmer behind him, EL-P ranted through abrasive high-pitched whines, sliding whistles, and dropped-deep beats on tunes like "The Full Retard." On "Oh Hail No" the night's opening act, Philadelphia stoner-rap MC Asher Roth, added his nasal voice to the Pink Floyd-like swirl with Killer Mike, too, jumping in to catch a few verses during EL-P's set. The Brooklynite turned the show into a friends-and-family affair, especially when reaching into his trick bag of oldies. "I'm very relaxed tonight, and that's not just because of the copious amount of alcohol I drank," EL-P said before blaming his fans.

Atlanta's Killer Mike appeared right before EL-P and made it hard for the headliner to top his warm-up act. With an over-sized physical presence as renowned as his deep throaty voice and his decade-plus time in the rap biz, Mike made the idea of "Kryptonite" sound enticing and turned "Reagan" into a politicized anthem of fear and loathing.

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