Ukrainian-born Shevtsov preferred music-making as unvarnished as possible in his program of sonatas by Debussy and Beethoven, plus more-unorthodox works by George Antheil and Steven Mackey. Better to reveal his deeply examined view of any given piece. Scarlatti's normally humble Sonata in E K. 162 almost felt like a saga, given how much he varied the piece's frequent melodic repetition.
Most of the program was in collaboration with violinist Miranda Cuckson - one of those violinists like Jennifer Koh with an exceptionally adventurous intellect. Together, they turned Debussy's normally cogent Violin Sonata into a series of highly colored episodes that didn't hang together as a whole, but was fascinating for an originality borne out of making the absolute most of any given moment. Beethoven's Violin Sonata No. 7 Op. 30 No. 2 had similar pluses and minuses - plus interior anguish that performers often miss.
The true wild card was Mackey's Sonata for Violin and Piano, a 1996 vernacular-tinged, strike-out-in-all-directions piece that many composers would revise or suppress, especially in view of this composer's more integrated recent works such as Tonic (written for the Chamber Orchestra of Philadelphia).
In a preperformance talk, the Princeton-based Mackey said he was influenced by Thelonious Monk's ability to find the wrong note that feels exactly right - an idea he took to piquant extremes. At times, violin and piano seem to be on different, though similarly bluesy, planets (possibly influenced by Ravel's Violin Sonata).
Intentional strokes of perversity included several culs-de-sac - passages leading nowhere in a rebellion against typical notions of continuity. It's gleefully confrontational without being obscure. In other words, it should be heard much more widely.
The 2013 Golandsky Institute International Piano Festival continues through Saturday, including a solo concert Friday by Ilya Itin at the McCarter Theatre Center in Princeton. Information: 609-258-2787 or www.golandskyinstitute.org
Contact David Patrick Stearns at email@example.com.