Watching and reviewing Niki Cousineau's choreography and dance for more than 15 years, I have noted a certain delicacy, even reticence, coming through. She's not a flashy, over-the-top mover, but allows her intellect and commitment to craft to put her dance theater work over.
It helps that in 1996 she hooked up with the precision-minded Jorge Cousineau, an award-winning set, lighting, and sound designer. As the duo that has constituted Subcircle since 1997, they unveiled their latest work Thursday at the Performance Garage for a weekend run that ends Saturday night.
Their title is "All this happened, more or less," the opening line of Kurt Vonnegut's Slaughterhouse 5, which centers on the World War II firebombing of Dresden, Germany, Jorge's birthplace. His set consists of crazily tilted white structures that could be from a Fritz Lang film. The dancers easily break them down and realign them, or make them explode into the rafters.