A big reason is that sales of vinyl have increased sixfold since 2008. Last year, CDs, hurt by the growth in streaming Internet services such as Spotify and Pandora, fell an additional 14.5 percent. Digital sales declined for the first time since the advent of iTunes.
But vinyl increased 32 percent - rising from 4.5 million units in 2012, to more than 6 million in 2013, according to Nielsen SoundScan.
This year, there will be 450 Record Store Day-specific releases hitting stores, up from "between 10 and 20" in 2008, according to Colitton, who oversees the Raleigh, N.C.-based event along with partner Michael Kurtz as an unpaid vocation. (In her paid job, she's director of marketing for Dept. of Record Stores, a coalition of indie record stores.)
Among the choice selections: Bruce Springsteen's American Beauty EP, featuring four unreleased songs; LCD Soundsystem's Live at Madison Square Garden; and It Takes A Nation of Millions to Hold Us Back, the vinyl reissue of the 1988 classic by rappers Public Enemy, whose leader Chuck D is this year's official Record Store Day ambassador.
Evidence of the vinyl renaissance is apparent throughout pop culture.
Saturday will see the release of Eilon Paz's Dust & Grooves: Adventures in Record Collecting, a gorgeous coffee-table book that depicts 130 enthusiasts with their collections, including "King of 78s" Joe Bussard, and Frank Gossner, whom Paz accompanied on a record-hunting trip to Ghana. Among the Philadelphians in the book are Big Rich Medina, King Britt, Skeme Richards, and Aaron Luis Levinson.
Portlandia star and Sleater-Kinney guitarist Carrie Brownstein's American Express TV commercial set in a record store has been viewed 10 million times on YouTube. (She and costar Fred Armisen, in a 2011 sketch, mocked the Portland-based Ace Hotel chain, where all suites have turntables.)
The British documentary Last Shop Standing: The Rise, Fall and Rebirth of the Independent Record Store will screen at Hideaway Music in Chestnut Hill at noon on Saturday.
Director Alex Steyermark's movie The 78 Project, which captures musicians such as Victoria Williams and Ben Vaughn making 78 r.p.m. discs on a 1930s Presto recorder, premiered at the South By Southwest Film festival in March. In July, Amanda Petrusich's Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records will be published by Simon and Schuster.
The Record Store Day launch party, with 20 DJs, will take place at Powerhouse Arena in Brooklyn on Saturday (information: Dustandgrooves.com).
Paz started the Dust & Grooves project as a website after he moved to Brooklyn from Israel in 2008 and spent most of his underemployed time crate-digging in stores.
Vinyl has become cool again "because of digital music," Paz said. "The natural thing to say would be that the MP3 killed vinyl. But I think it's the opposite, actually. The lack of a physical, tangible medium brought vinyl back to the people.
"We don't change, really," added Paz (who quips that one thing record collectors have in common is "most of them have cats"). "Times change, technology changes. But our basic need to hold, to feel things - vinyl let's you fulfill those needs."
It also sounds good. "The sonic quality of the vinyl format is so warm and full compared to all digital mediums," Medina, the Fishtown-based DJ, tells Paz in Dust & Grooves. "It's ridiculous. There is no reputable argument for that point."
"I think it's happened because of the anonymity of the digital age," said Grammy-winning producer Levinson. He estimates his wide-ranging but salsa-centric collection at 6,000 LPs and 1,000 or so 78s. "Just as the slow-food movement has come back, and craft beer has come back, records have come back. People are once again prizing something of quality that has human scale and authenticity and personality to it."
As a diehard enthusiast, Levinson enjoyed the era of CD dominance "because all sorts of people were dumping amazing records. I had so much less competition. Now it's really hard to get good records. Everybody wants them."
That's good for stores such as Old City's a.k.a., which will host a four-band bill on Saturday with Ortolan, A.M. Mills, Gardens & Villa, and Lushes. New shops are opening, such Phoenixville's Deep Grooves, and the oversized new Rough Trade store in Brooklyn.
Pat Feeney of Main Street Music says vinyl accounts for 40 to 50 percent of sales. "I'd say it's doubled in two years," he said. Current vinyl hot-sellers are Beck's Morning Phase, the War on Drugs' Lost in The Dream, and Nas' Illmatic reissue.
"I have a circle of customers who have gone 100 percent back to vinyl and don't even want CDs. A lawyer from Collegeville bought a $3,000 turntable and comes in every week to buy vinyl."
"Every year it gets bigger," Feeney said of Record Store Day. Last year, "we did a month's worth of business in a day." Birdy, the Gantry, and others will play for free Saturday afternoon at Main Street Music.
Jon Lambert manages the Princeton Record Exchange, where prog-rock band the Dinner will perform at 5 p.m. Saturday. He said Record Store Day's impact has been "surprisingly deep and meaningful. If you told me seven years ago that we would have over 300 people lined up waiting to buy records on a Saturday in April, I would have thought you were delusional."
Record Store Day isn't only about vinyl. There are also exclusive CD releases. Record Store Day's Colitton, who says most of the more than 200,000 people who follow Record Store Day on Facebook are in the 18-to-35 range, stresses that most LPs come with a download card for "digital convenience."
Vinyl made its comeback, Colitton thinks, because "it's a very physical, human way to interact with new music. It's a ritual, almost. You pick up the record. You probably clean it. It's like a Japanese tea ceremony. I love my phone, I love my headphones. But even for the young people who grew up with digital music, I don't think anyone wants to live their entire life in front of a screen."