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American Art

NEWS
June 3, 2011 | By David Iams, For The Inquirer
  The twin catalogs for next weekend's sale of modern and contemporary arts and crafts at the Rago Arts and Auction Center present a history of the movements and creators of the last 110 years, from the well-established to the up-and-coming. Just as remarkable is the sale itself. The more than 1,300 lots of furniture, ceramics, glass, metalwork, and decorative art for sale at the two-day event in Lambertville include works by many of the best-known names in an abundance seldom seen.
ENTERTAINMENT
March 21, 2011 | By MARIA ZANKEY, zankeym@phillynews.com 215-854-5444
Mary Cassatt's style of composing lifelike paintings of mothers and children with abstract detail and deliberate brushstrokes solidified her stature in the 19th-century art scene, but this Philadelphia-raised artist's influence travels beyond her maternal subjects. Kathy Foster, the curator of American Art at the Philadelphia Museum of Art, credits Cassatt, who attended the Pennsylvania Academy of the Fine Arts before moving to Paris, as a "wedge" in bringing Impressionistic paintings to the U.S. "Mary Cassatt was not a bohemian," Foster said.
NEWS
March 8, 2011 | By Stephan Salisbury, Inquirer Culture Writer
Maybe it shouldn't be a surprise that a masterpiece in the basement goes unnoticed for more than half a century. It is a wonder, however, when a neglected nothing, a dirty ragamuffin of a painting, is suddenly noticed amid a quarter-million stored confreres - is pulled out, looked at, looked at more closely, and finally recognized for what it really is beneath the soot, the grime, the clouded varnish: a treasure. This is precisely what happened with George Inness' 1851 landscape Twilight on the Campagna , acquired by the Philadelphia Museum of Art in 1945 as part of a bequest from Judge Alex Simpson Jr., then shipped to storage Siberia in the early 1950s.
ENTERTAINMENT
October 24, 2010 | By Edward J. Sozanski, Contributing Art Critic
Visitors to the Barnes Foundation eventually discover that there's much more to its extraordinary display than its renowned groups of impressionist, postimpressionist, and early modern paintings. There is, for instance, a sizable body of American art that accounts for about a quarter of the works installed in the Merion galleries. One room, Gallery 12, is devoted entirely to the American artists Albert C. Barnes knew and collected in depth. Despite this, and the fact that at least two American works hang in each gallery, in the public's perception the American artists continue to be eclipsed by European stars such as Renoir, Cezanne, Picasso, and Matisse.
LIVING
March 12, 2010 | By David Iams FOR THE INQUIRER
An oil painting by the leader of the Scalp Level School, a southwestern Pennsylvania art colony that predated the Brandywine and Bucks County impressionists, will be for sale this afternoon. Alderfer Auction and Appraisal's sale in Hatfield will offer 200 lots of American and European paintings, including the oil by George Hetzel, probably the best-known artist southwestern Pennsylvania had produced until the advent of Andy Warhol. The Scalp Level School took its name from its location, a once bucolic town southeast of Johnstown where around 1830 an art gallery opened that became a nucleus for area artists.
NEWS
February 14, 2010 | By Sally A. Downey INQUIRER STAFF WRITER
John Walker McCoubrey, 86, an emeritus professor in the department of art history at the University of Pennsylvania, died of kidney failure Tuesday at his home in University City. Dr. McCoubrey was awarded a Lindback Foundation Award for Distinguished Teaching just four years after joining Penn's faculty in 1964. That same year he received a Guggenheim Fellowship to study in London. He had previously studied in Paris on a Fulbright Fellowship. He was also recipient of fellowships from the National Endowment for the Humanities.
LIVING
February 5, 2010 | By David Iams FOR THE INQUIRER
Black History Month will be marked Feb. 23 in New York with a major sale of works by African American artists, including several with Philadelphia ties. But earlier there will be another auction of local historic significance: the liquidation of Richman's Ice Cream in South Jersey's Salem County. The company's huge white art deco building near the intersection of Route 40 and Kings Highway, a few miles east of the Delaware Memorial Bridge, had long been not only a landmark but also a mecca for motorists who would go there to get the freshly produced ice cream that was distributed throughout the region.
NEWS
November 14, 2009 | By Carolyn Davis INQUIRER STAFF WRITER
Si Lewen begins his paintings as he sleeps. Images crowd his dreams until one rises above the rest to wake him and beg to be put on canvas. Lewen always obliges. "My art is my life, my world," he said from the Foulkeways at Gwynedd apartment he shares with his wife, Rennie. They moved there from New Paltz, N.Y., two years ago to be near their daughter, Nina Kardon, and her family, who live in Ambler. Lewen - whose work once was exhibited in the Whitney Museum of American Art, the Pennsylvania Academy of the Fine Arts, and galleries in New York and around the country - has been painting for most of his 91 years.
LIVING
October 2, 2009 | By David Iams FOR THE INQUIRER
While Freeman's will be busy next week with a two-day catalog sale of fine English and Continental furniture, silver, and decorative arts, a catalog sale in New York will focus on an African American painter who developed his skills in Philadelphia, Barkley L. Hendricks. Hendricks will be represented Thursday in Swann Auction Galleries' sale of African American fine art. Born here in 1945, Hendricks is an alumnus of the Pennsylvania Academy of the Fine Arts, earned his bachelor's and master's degrees from Yale University, and is a professor of art at Connecticut College.
NEWS
September 21, 2009 | By Tirdad Derakhshani INQUIRER STAFF WRITER
The spirit of Thomas Eakins spoke of his evolution as an artist at a lecture yesterday at the Philadelphia Museum of Art. The great Philadelphia artist, who died in 1916, spoke through historian and actor Christian Johnson, who presented a dramatic reading of a selection of Eakins' letters for an enthusiastic audience 100-strong. "I would like to thank the Woodlands Cemetery Association for letting me come here," Johnson-Eakins joked, referring to the cemetery in West Philly where the artist is buried.
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