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NEWS
May 26, 1989 | By Lita Solis-Cohen, Special to The Inquirer
Twenty-two American paintings from the collection of the late Violette de Mazia, who taught art appreciation at the Barnes Foundation in Merion for 60 years, sold for $2.38 million yesterday at Christie's auction house in New York. That amount, added to the $5 million paid earlier this month for eight impressionist and modern works and $644,000 paid in April for de Mazia's furniture and furnishings, brought the proceeds from de Mazia's estate to more than $8 million. Still to be sold are a half-dozen paintings and de Mazia's house in Lower Merion.
NEWS
July 25, 1990 | By Lucinda Fleeson, Inquirer Staff Writer
Philadelphia lawyer Richard H. Glanton has been elected president of the Barnes Foundation in Merion, administrator of one of the world's most renowned collections of impressionist and postimpressionist art. Glanton, 43, served as deputy counsel to Richard Thornburgh when he was governor of Pennsylvania. He had been counsel to the foundation for the last year, a post that he resigned to become president, but will continue as general counsel to Lincoln University in Chester County.
NEWS
September 3, 2000 | By Catherine Quillman, INQUIRER SUBURBAN STAFF
Aside from its priceless collection of French Impressionist paintings, the Barnes Foundation may be best known for the stringent restrictions its founder, Dr. Albert C. Barnes, placed on the collection's presentation. Before his death in a 1951 automobile accident, the pharmaceutical magnate wrote a will that stipulated how his art should be viewed and studied. Among the stipulations, the works were to remain hung in the exact floor-to-ceiling arrangement that Barnes devised when he opened the 23-room gallery adjacent to his Merion home in 1922.
NEWS
April 19, 2012 | By Stephan Salisbury, Inquirer Culture Writer
Brett Miller, 47, general counsel for the Barnes Foundation who defended the foundation's move from suburban Merion to the Benjamin Franklin Parkway in recent court hearings, was found dead at his Old City home Saturday, April 14. A spokesman for the Philadelphia Medical Examiner's Office attributed the cause of death to a self-inflicted gunshot wound. "The board of trustees and the staff of the Barnes Foundation are deeply saddened by the tragic loss of our colleague and friend Brett Miller," Derek Gillman, the director of the foundation, said in a statement to the Art Newspaper, which on Monday reported Mr. Miller's death.
NEWS
January 8, 2015 | By Stephan Salisbury, INQUIRER CULTURE WRITER
The Barnes Foundation has selected Thomas Collins, head of the resurgent Pérez Art Museum in Miami, to be its new chief executive and president, the museum announced Wednesday. A native of the Philadelphia area, Collins, 46, will assume the post in March at an institution that is now in its third year on the Benjamin Franklin Parkway. He succeeds Derek Gillman, who guided the Barnes from 2006 to 2013, when the Barnes successfully, if sometimes contentiously, moved its spectacular collection of impressionist and early modernist art from its long-time home in Merion to in Philadelphia.
NEWS
October 13, 1995 | By Leonard W. Boasberg, INQUIRER STAFF WRITER
With the Barnes Foundation's "gala reopening" just a month away, the trustees have asked for an "emergency hearing" to appeal a ruling that apparently forbids them to hold the event on the foundation premises. Despite the ruling by Montgomery County Orphans Court Judge Stanley R. Ott, the foundation has proceeded with plans for the $500-to-$1,000-a-person event to be held on the grounds. The Nov. 11 gala is to celebrate the reinstallation of the world-renowned collection of art, in a building closed for more than two years for a $12 million renovation.
NEWS
October 16, 2010 | By Stephan Salisbury, Inquirer Culture Writer
In stark contrast to the lengthy and contentious battle over its move to the city, construction of the new museum and gallery for the Barnes Foundation on the Benjamin Franklin Parkway has been proceeding at a rapid clip. On Friday, construction workers were already clambering over the in-place roof of one building section - the gallery that will house the famed collection that now resides in suburban Merion. Bill McDowell, project executive, said there had been no problems with the $150 million building effort.
NEWS
September 25, 2002
IT HAS taken near financial ruin, but finally the trustees of the Barnes Foundation are making some sensible decisions regarding the future of the foundation and its matchless collection of paintings. Yesterday, trustees announced they are embracing an idea they once called unthinkable: moving the foundation and its collection of Renoirs, Cezannes and Matisses out of the constricting confines of Lower Merion and into Philadelphia. Trustees say the foundation's tumbling fortunes are behind their dramatic change of heart.
ENTERTAINMENT
April 19, 1995 | By Leonard W. Boasberg, INQUIRER STAFF WRITER
The Barnes Foundation has renewed a request to a Montgomery County court to send its celebrated show of impressionist and post-impressionist paintings to another museum. Last week, to the surprise of foes of the unprecedented tour, the foundation had withdrawn its request. But in a new petition to Judge Stanley R. Ott, the trustees said they have "an opportunity to receive substantial additional funds" to exhibit the works at "a premium art museum in Europe. " As in their previous petition, the trustees did not name the museum, the House of Art in Munich.
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NEWS
August 18, 2015 | BY REGINA MEDINA & WILL BUNCH, Daily News Staff Writers medinar@phillynews.com, 215-854-5985
IT WAS 2006 - well past the time when Julian Bond could have easily coasted on his laurels as a founding father of the U.S. civil-rights movement who'd fought all the way to the Supreme Court to become one of Georgia's first black lawmakers. But when Bond learned that Pennsylvania was considering a bill to allow interest rates as high as 400 percent on so-called "payday loans," the then-NAACP chairman had to speak up. That's what he always did when he saw a perceived injustice. "Payday lenders prey on poor and working class families, a disproportionate number of whom are African-American, literally stealing money from their victims," Bond wrote to then-Gov.
NEWS
August 16, 2015 | By Michael Vitez, Inquirer Staff Writer
Four teenage girls - all of whom have been raped or abused, overdosed on pills or cut themselves, or lived in foster care or detention homes - came to some place Friday none had ever been. The Barnes Foundation. The teens live now in a residential facility in Rosemont called theVillage for 60 girls like them. These girls were the four for whom art therapy this year has been the most healing, who have best used art projects at theVillage to help them control their emotions and be present in the moment.
ENTERTAINMENT
May 28, 2015 | By Natalie Pompilio, For The Inquirer
Less than a year ago, Asef Khurshan had never been to the Barnes Foundation. Now, the 16-year-old would like to give you a tour, starting with his favorite room, No. 19. "Because the Barnes is not a typical museum, I've worked out some hints for you," he says. In Room 19, he introduces the family of Henri Matisse as depicted in The Music Lesson and asks, "What do you see when you look at this family? What are the relationships like?" He tells you to look closely at two paintings by Chaim Soutine on another wall and compare them: "What do you notice about the brushstrokes?
ENTERTAINMENT
May 21, 2015 | By Elizabeth Wellington, Inquirer Fashion Writer
In a cool marriage of art, fashion, and retail, Moore College of Art and Design held its annual student fashion show Saturday night at the Barnes Foundation with Century 21 as its lead sponsor. Collections from Moore's 52 student designers featured many fun yet wearable looks that included a hot-pink trapeze coat by senior Chelsea McLay, and wide-legged slacks with windowpane details along the hem, courtesy of senior Jessica McKay. A drop-waist dress with fringed skirt from junior Claudia Geissler's resort-wear grouping made for an interesting - if not swishy - piece.
ENTERTAINMENT
May 21, 2015
The Barnes Foundation on the Parkway was the setting, and a painting from its collection - Modigliani's "Redheaded Girl in Evening Dress" - was among the inspirations for the Moore College of Art & Design's Fashion Show 2015 last weekend. Twenty-one seniors, 23 juniors and eight sophomores showed their creations.  
NEWS
May 15, 2015 | By Stephan Salisbury, Inquirer Staff Writer
With a new exhibition opening Saturday, the Barnes Foundation is entering a shadowy, self-referential, postmodern world it has never ventured into before. Certainly not during the lifetime of founder Albert C. Barnes, nor at any time since his death in 1951. "Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things," running through Aug. 3, consists of three commissioned installations inspired by the famously idiosyncratic Barnes and the manner in which he displayed his art; "ensembles" he called his wall and gallery arrangements, and he stipulated they could never be rearranged.
NEWS
April 17, 2015 | By Stephan Salisbury, Inquirer Staff Writer
Ending an often testy and sometimes distant 25-year coexistence, the Barnes Foundation will merge with the foundation established by the estate of Violette de Mazia, Albert C. Barnes' longtime colleague. The Violette de Mazia Foundation - whose sole purpose has been to promulgate and support art education based on the formalist pedagogical principles of Barnes, de Mazia, and the philosopher John Dewey - will form the core of the Barnes-de Mazia Education Program, to be based at the Barnes Foundation on the Parkway.
NEWS
March 23, 2015 | BY BECKY BATCHA & LAUREN McCUTCHEON, Daily News Staff Writers batchab@phillynews.com, 215-854-5757
GENGHIS KHAN rides into town, gay rights get celebrated, "Deep Throat" (the Watergate informant, not the smut) appears in a very '70s photo show and the great painter Horace Pippin gets a great big retrospective - his first in 20 years. So stop bellyaching that there's nothing to do. Richard Avedon: Family Affairs, April 1-Aug. 2. Rare exhibit resurrects the fashion photographer's 1976 political statement - a portfolio he shot for Rolling Stone featuring 69 black-and-white portraits of that era's power elite.
NEWS
February 27, 2015 | By Peter Dobrin, Inquirer Music Critic
Four contemporary classical composers walk into an art museum. No punch line. But after walking in, this quartet of composers eventually walked away having penned four new compositions, which Network for New Music will premiere Friday at the Barnes Foundation - amid the art and spaces that inspired them. The obvious historical precedent is Mussorgsky's Pictures at an Exhibition , a vivid series of musical evocations connected by a recurring promenade. Each of Network's new pieces assumes a different form, chamber-music instrumentation, and philosophy about using the eye to tease out a translation for the ear. "Music is the most incorporeal art, and, while we all accept that it is very much like a language, it is a non-representational one," said Stephen Hartke, who produced The Blue Studio , inspired by the cobalt walls in Matisse's Studio with Goldfish , which are the same shade as his own workroom in Los Angeles.
NEWS
February 22, 2015 | By Stephan Salisbury, Inquirer Staff Writer
In a highly unusual outcome to conservation efforts, the Barnes Foundation has discovered it owns two previously unknown Cézanne sketches - even collector Albert C. Barnes was most likely unaware of their existence. The two works, unmentioned in any correspondence and not included in the master compendium of Cézanne's works, are on the backs of two watercolors that are permanently hung in the foundation's galleries on the Benjamin Franklin Parkway. The works had been taken down a year ago for needed conservation.
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