September 9, 2015 |
This fall looks to be an exciting one for dance in Philadelphia. It's year X for BalletX, as the troupe turns 10. Pennsylvania Ballet opens its action-packed first full season under artistic director Angel Corella. After 32 years at the Annenberg Center, Dance Affiliates is relocating its programming to Center City's Prince Theater with a new series, NextMove. Meanwhile, the Annenberg rebuilds its dance presence as Annenberg Center Live. Starting in October, Bryn Mawr Performing Arts Series presents a season-long festival celebrating Trisha Brown, honoring the postmodern choreographer and company director, whose work has rarely been seen in Philadelphia, with performances, lectures and classes.
August 18, 2015 |
IT WAS 2006 - well past the time when Julian Bond could have easily coasted on his laurels as a founding father of the U.S. civil-rights movement who'd fought all the way to the Supreme Court to become one of Georgia's first black lawmakers. But when Bond learned that Pennsylvania was considering a bill to allow interest rates as high as 400 percent on so-called "payday loans," the then-NAACP chairman had to speak up. That's what he always did when he saw a perceived injustice. "Payday lenders prey on poor and working class families, a disproportionate number of whom are African-American, literally stealing money from their victims," Bond wrote to then-Gov.
August 16, 2015 |
Four teenage girls - all of whom have been raped or abused, overdosed on pills or cut themselves, or lived in foster care or detention homes - came to some place Friday none had ever been. The Barnes Foundation. The teens live now in a residential facility in Rosemont called theVillage for 60 girls like them. These girls were the four for whom art therapy this year has been the most healing, who have best used art projects at theVillage to help them control their emotions and be present in the moment.
May 28, 2015 |
Less than a year ago, Asef Khurshan had never been to the Barnes Foundation. Now, the 16-year-old would like to give you a tour, starting with his favorite room, No. 19. "Because the Barnes is not a typical museum, I've worked out some hints for you," he says. In Room 19, he introduces the family of Henri Matisse as depicted in The Music Lesson and asks, "What do you see when you look at this family? What are the relationships like?" He tells you to look closely at two paintings by Chaim Soutine on another wall and compare them: "What do you notice about the brushstrokes?
May 21, 2015 |
In a cool marriage of art, fashion, and retail, Moore College of Art and Design held its annual student fashion show Saturday night at the Barnes Foundation with Century 21 as its lead sponsor. Collections from Moore's 52 student designers featured many fun yet wearable looks that included a hot-pink trapeze coat by senior Chelsea McLay, and wide-legged slacks with windowpane details along the hem, courtesy of senior Jessica McKay. A drop-waist dress with fringed skirt from junior Claudia Geissler's resort-wear grouping made for an interesting - if not swishy - piece.
May 21, 2015
The Barnes Foundation on the Parkway was the setting, and a painting from its collection - Modigliani's "Redheaded Girl in Evening Dress" - was among the inspirations for the Moore College of Art & Design's Fashion Show 2015 last weekend. Twenty-one seniors, 23 juniors and eight sophomores showed their creations.
May 15, 2015 |
With a new exhibition opening Saturday, the Barnes Foundation is entering a shadowy, self-referential, postmodern world it has never ventured into before. Certainly not during the lifetime of founder Albert C. Barnes, nor at any time since his death in 1951. "Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things," running through Aug. 3, consists of three commissioned installations inspired by the famously idiosyncratic Barnes and the manner in which he displayed his art; "ensembles" he called his wall and gallery arrangements, and he stipulated they could never be rearranged.
April 17, 2015 |
Ending an often testy and sometimes distant 25-year coexistence, the Barnes Foundation will merge with the foundation established by the estate of Violette de Mazia, Albert C. Barnes' longtime colleague. The Violette de Mazia Foundation - whose sole purpose has been to promulgate and support art education based on the formalist pedagogical principles of Barnes, de Mazia, and the philosopher John Dewey - will form the core of the Barnes-de Mazia Education Program, to be based at the Barnes Foundation on the Parkway.
March 23, 2015 |
GENGHIS KHAN rides into town, gay rights get celebrated, "Deep Throat" (the Watergate informant, not the smut) appears in a very '70s photo show and the great painter Horace Pippin gets a great big retrospective - his first in 20 years. So stop bellyaching that there's nothing to do. Richard Avedon: Family Affairs, April 1-Aug. 2. Rare exhibit resurrects the fashion photographer's 1976 political statement - a portfolio he shot for Rolling Stone featuring 69 black-and-white portraits of that era's power elite.
February 27, 2015 |
Four contemporary classical composers walk into an art museum. No punch line. But after walking in, this quartet of composers eventually walked away having penned four new compositions, which Network for New Music will premiere Friday at the Barnes Foundation - amid the art and spaces that inspired them. The obvious historical precedent is Mussorgsky's Pictures at an Exhibition , a vivid series of musical evocations connected by a recurring promenade. Each of Network's new pieces assumes a different form, chamber-music instrumentation, and philosophy about using the eye to tease out a translation for the ear. "Music is the most incorporeal art, and, while we all accept that it is very much like a language, it is a non-representational one," said Stephen Hartke, who produced The Blue Studio , inspired by the cobalt walls in Matisse's Studio with Goldfish , which are the same shade as his own workroom in Los Angeles.