September 30, 2014 |
Maybe the electrical problems that delayed Sunday's memorial service for Pulitzer Prize-winning cartoonist Tony Auth were meant as metaphor. The power went out, but the light never dimmed. "In your life, Tony Auth, you welcomed the stranger, spoke up for the outcast, punctured the pretensions of the hypocrite," said longtime colleague Chris Satullo, quoting what he imagined God saying to Auth, a not particularly devout new arrival at heaven's gate. "You were devoted to those who loved you and you were disinclined to despise those who did not," Satullo said.
October 29, 1994 |
It was a sight to behold. Toward the end of Bob Dylan's concert at the Tower Theater on Thursday night, the famously misanthropic bard allowed his flock to approach the altar. With the venue's officious security force powerless to stop them, many in the reserved-seat crowd of rowdy graybeards, grungy teens and twentysomethings rushed to fill the aisles. After a storming "Maggie's Farm" that raged like a nor'easter (and included that rarest of Dylan moments: a brief, cryptic smile)
July 31, 2013 |
The freewheelin' Bob Dylan is always good for a surprise on stage. The songwriting sage, now 72, has perplexed concertgoers by garbling his treasured lyrics and murkily arranging his hits into unrecognizable entities for better and worse. His never-ending tour, too, has had its share of left turns, like its summer of concerts at baseball fields. This season, Dylan's touring twist came by inviting his spiritual indie-rocking children, Wilco and My Morning Jacket, to his Americanarama Festival, which made a much-anticipated stop Sunday at Camden's Susquehanna Center.
November 21, 2014 |
CHRONICLING the recording of new music using long-lost lyrics by Bob Dylan, tonight's Showtime special "Lost Songs: The Basement Tapes Continued" will have its biggest appeal to the boomer-era fans taking in Mr. D's shows at the Academy of Music this weekend. But the target demo could be lowered by the far more "current" artists who took on this time-warping collaborative mission - Marcus Mumford (Mumford and Sons), Jim James (My Morning Jacket), Rhiannon Giddens (Carolina Chocolate Drops)
November 7, 2011
"Chillin' Wit . . . " is a regular feature of the Daily News spotlighting a name in the news away from the job. TOM KLINE sits at his glossy dining-room table inside his Center City apartment and sips orange juice - that he just squeezed - out of a tall, flute-like glass. The table, set against a dizzying view of the city and adorned with a silver candelabra and glass vase filled with fresh white roses and pink tiger lilies, is heaped with books about Bob Dylan. This is Tom Kline unmiked.
August 27, 2006 |
Bob Dylan is a doomsayer, spreading the word that trouble is on the way. He's a crusty romantic "studying the art of love," still hopeful, at 65, that "it'll fit me like a glove. " And he's a devilishly cheery troubadour with a Snidely Whiplash mustache who playfully couples "I got the pork chop, she got the pie" with "She ain't no angel, and neither am I. " Modern Times (Columbia . ?), Dylan's 44th album and his first in five years, contains multitudes. No surprise there.
November 20, 2007 |
For Todd Haynes, there was never going to be only one Bob Dylan. "There was a question of whether there should be six, or seven, or 20," says the director about I'm Not There, his perfectly titled movie about the most elusive of musical icons, in which Dylan is played by Cate Blanchett, Christian Bale, Heath Ledger, Ben Whishaw, and 11- year-old African American actor Marcus Carl Franklin. "But the idea of multiples as a way of getting to something true about him was almost plain as day," says the Far From Heaven director of the experimental biopic he conceived during a cross-country drive with a slew of Dylan tapes for company.
October 13, 2014 |
TORONTO - The movie's over. The audience has laughed, cried, recoiled in horror at the bad behavior on display. But Bill Murray isn't finished. The titular star of St. Vincent - instantly a hallmark role of his career - creaks open the screen door to his character's pitiful backyard, headphones attached to a (yes!) portable cassette player, and starts singing along to Bob Dylan's "Shelter From the Storm. " For the next five minutes, as the credits roll for this feel-good comedy about a feel-bad guy, Murray fools around with a garden hose and echoes the Dylan verse on the sound track.
June 24, 1995 |
Last week's announcement that Bob Dylan would play the Theater of Living Arts was accompanied by an explanation: Dylan, now touring stadiums with the Grateful Dead, was restless. He had days off, and wanted to play. But few in the TLA's capacity crowds Wednesday and Thursday could have been prepared for what they encountered: Dylan was being literal. Not content to stroll through his house blend of hits and back-page obscurities, he wanted to play. As in, play guitar. As in, play guitar solos.
July 21, 1986 |
As the ultimate singer/songwriter of the contemporary folk and progressive rock eras, Bob Dylan has always had his pick of great and worshipful sidemen (and women), from Joan Baez to the Band, Al Kooper & Mike Bloomfield to the Rolling Thunder brigade and Dire Straits' Mark Knopfler. None has ever put Dylan's gritty visions into as sweet and commercial a context, though, as his latest recruits, Tom Petty and the Heartbreakers, who joined Dylan for two very satisfying shows at the Spectrum, Saturday and last evening.