March 30, 2012 |
So Tim Tebow's going to New York City. Well, I'm not going with him. Yeah, yeah, I know, I'm everywhere at once, all-knowing and all-seeing, blah, blah, blah. But ever since the 2010 draft, I've been hanging out mostly here in Denver to look after Tim. And, really, can you blame Me? It's a nice town. And with its mile-high elevation, it's less of a commute. And before you accuse Me of playing favorites, with about six billion ingrates to deal with, why shouldn't I pay a little extra attention to a kid who thanks Me publicly for everything from a touchdown to a bologna sandwich?
September 13, 2014 |
A big, cheerful, gorgeous dumb blonde of a musical comedy, 9 to 5: The Musical , the Walnut Street Theatre's season opener, is, like many a dumb blonde, good for a fun night out. (OK, OK, is every new-wave feminist going to call the gender police? Aw, shucks.) Based on the 1980 movie of the same name (its screenwriter, Patricia Resnick, wrote the show's book), Dolly Parton wrote 16 songs for the Broadway show, each with her signature country sound; the excellent cast belts them out with gusto.
March 17, 2016 |
While I'm away, readers give the advice. On making the best of the time after a terminal diagnosis: My sister's diagnosis gave her six months to a year, with treatment. She lived 1,200 miles from me, but I decided to give her whatever I could to make her comfortable and happy. I took unpaid leave to spend a couple weeks at her home. I made her a window seat cushion that she hadn't gotten around to making. My husband and I painted her kitchen and hung the five-year-old wallpaper border she had been waiting for her husband to do. I used vacation time to visit again and take her to a Cirque du Soleil performance.
March 2, 2016 |
For its 39th season, the Philly Pops continues its successful formula, presenting highlights from pop, rock, jazz, and Broadway. The roster includes tributes to the Beatles, Elvis, Ella Fitzgerald, Louis Armstrong, Fleetwood Mac, and Les Misérables . Designing a season from the vast pop genre represents a juggling act for Michael Krajewski, in his third season as music director. (He has just signed on for three more years.) Five shows must offer familiar fare to an audience that relates to music from previous generations.
May 7, 1990 |
I brood at times about how the Broadway musical stage has let some big talents go to waste. I think, for example, of the redoubtable Helen Gallagher, who is class all the way. I think of Julie Wilson, for whom a melody is drama. I lament the waste of the promise in a singer such as Pamela Myers, who showed herself heir presumptive to Ethel Merman by belting out "Another Hundred People" in the original Broadway production of Company. I even wonder about the loss to the stage of Liza Minnelli, who could have been the reigning musical comedy queen of our time.
March 21, 2002 |
One of the objections offered by the unions protesting the nonunion production of The Music Man at the Merriam Theater is that while the show is based on the recent Broadway production, it can't really be called a Broadway show because it doesn't use actors who have Broadway experience. That is a valid point. There is a polish and professionalism - something easier to sense than to explain - that Broadway-experienced actors lend to a show that this production of The Music Man does not have.
May 25, 1989 |
Playwright Phyllis Purscell has written some very funny lines for The Temptation of Maddie Graham. They would be even funnier if they were in the context of a better play. Purscell, who lives in Newtown, displays a gift for the one-liner and the apt, humorous quip growing out of a specific situation. It might seem extravagant to compare her comic talent to Neil Simon's; but when she is on, which is often, her witticisms sound much like those of the master of Broadway comedy. However, if Purscell does not devise better vehicles than The Temptation of Maddie Graham, it's doubtful that her humor will find an outlet beyond the few regional theaters that have produced her plays.
May 7, 1987 |
It's been 45 years since Spencer Tracy melted down a sputtering Katharine Hepburn in the movie "Woman of the Year," but only four since the musical starring Lauren Bacall and then Raquel Welch as a saucy, headstrong Barbara Walters-style TV newswoman closed on Broadway. The version presented at the Claridge through Aug. 15 is still relatively fresh; this is not a revival of a show that's been done to death in dinner theaters. "Woman" is shorter than the Broadway show, a little thinner on the cast (minor cast members double up, giving the audience a weird case of deja vu)
July 1, 2012 |
As a Megabus rattled through the Lincoln Tunnel, a surprising fact passed among the 11 Philadelphia high school students occupying the back rows: They were under water. "No, we're not," several said in disbelief, turning to their classmates to ascertain that they were, indeed, traveling beneath the Hudson River. Convinced, one student declared, "I'm about to tweet it!"- before finding out that there was no cellphone service below ground. It was the first surprise on a day full of new experiences for the 11 travelers from El Centro de Estudiantes, a school for students who have dropped out or been kicked out of Philadelphia public schools.
January 24, 2014 |
James Spinelli was 11 when he became a shoe man. This was in Camden, 1931. Spinelli was poor and small for his age, but he'd already been working for five years, selling vegetables from a little red wagon and peddling newspapers to saloon patrons. He also hawked Camden-style "yum yum" water ice on the corner of Broadway and Royden. So when a guy walked out of a shoe shop downtown and offered a job to a crowd of boys walking by, the skinny kid from Clinton Street said yes. He made $1.50 a week to start, and he's been fixing other people's footware ever since.