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ENTERTAINMENT
February 25, 1996 | By Shankar Vedantam, INQUIRER WASHINGTON BUREAU
Hearts aren't the only body parts that break during productions of Les Miserables or Phantom of the Opera. The Broadway musicals, along with several other long-running hits, can be physically dangerous to perform, and regularly cause aches and pains that are entirely unromantic. According to a new medical study on actors' injuries, some of the agonized expressions you see on stage may be genuine. More than half the actors in the 10 New York productions and 13 companies on tour in the month surveyed - February 1993 - reported that they had been injured.
NEWS
April 14, 2005 | By Douglas J. Keating INQUIRER THEATER CRITIC
Margery Klain has produced theater in New York, but when it came to realizing a long-held desire to present staged concert revivals of Broadway musicals, she looked no farther than Center City, where she has made her home for the last 25 years. "It just seems like Philadelphia is the place to do it," Klain said of Broadway Opus, the nonprofit theater company she is launching with a production in June of The Roar of the Greasepaint - The Smell of the Crowd at the Merriam Theater.
NEWS
January 31, 2003 | By Tanya Barrientos INQUIRER STAFF WRITER
The cold weather has put Broadway ticket sales on ice, forcing three shows to close because of poor turnout. Imaginary Friends, Nora Ephron's play with music about the feud between writers Lillian Hellman and Mary McCarthy, will close Feb. 16 after 76 performances, producers said Wednesday. Oklahoma!, the $10 million Cameron Mackintosh revival that recently added Patty Duke to the cast, said it will shut down in the spring after a yearlong run, but gave no definite closing date.
ENTERTAINMENT
March 17, 2011
THE PEE-WEE HERMAN SHOW ON BROADWAY. 10 p.m. Saturday, HBO. NOT MANY Broadway shows begin with the Pledge of Allegiance, but then so few star Pee-wee Herman. Paul Reubens, the artist known as Pee-wee, returns Saturday night to HBO, the place where his bow-tied character's TV career launched in another special three decades ago, with "The Pee-wee Herman Show on Broadway. " Filmed this winter during the show's limited run at Manhattan's Stephen Sondheim Theater, it's a happy mix of childlike wonder and mildly adult humor - too mild for "Two and a Half Men," but maybe too adult for Saturday mornings - that allows Reubens to be timeless and yet topical.
ENTERTAINMENT
November 23, 1995 | By Leonard W. Boasberg, INQUIRER STAFF WRITER
The opening concert of the current Philly Pops program at the Academy of Music was flawless - outstanding, from the moment Peter Nero struck up the orchestra with Gershwin's "Strike Up the Band" to the "Liberty Bell March," with which Nero has traditionally closed Pops performances since 1979. The program, titled "Broadway Gold," is devoted mainly to show tunes of the 1940s and 1950s. ("Strike Up the Band," which goes back to 1927, is one exception; Cole Porter's "Night and Day," a 1930s classic, is another.
ENTERTAINMENT
May 21, 2004 | By Carrie Rickey INQUIRER MOVIE CRITIC
Put Romeo and Juliet in New York's Hell's Kitchen. Make his family native-born American and hers immigrant Puerto Rican. Set it to music by Leonard Bernstein, with lyrics by Stephen Sondheim and choreography by Jerome Robbins, maestros at the top of their game. The volatile result is West Side Story (1961), Robert Wise's and Robbins' explosive translation of the Broadway musical to the screen. Its creators put ear to manhole in order to listen to urban rhythms - and then cranked the volume up to 10. More attention was lavished on the music and dancing than on the acting by the nominal leads, Richard Beymer as Tony and Natalie Wood as Maria, and it shows.
SPORTS
November 27, 2007 | By Pete Schnatz FOR THE INQUIRER
Tomorrow morning, traffic will come to a standstill in one of the busiest sections of New York, but this time it won't be gawking tourists or angry cabbies blocking the streets. NASCAR is back to take Manhattan in a big way, with this season's top 10 drivers parading their race cars over a 1 1/2-mile course, starting at 8:30 a.m. in front of the Good Morning America studios at 44th Street and Broadway. Rolling along in single file, the 3,400-pound stock cars, powered by 850-horsepower engines, figure to rattle windows and scatter pigeons en route to the finish line, in the shadow of the Hard Rock Cafe at 43d Street and Seventh Avenue.
NEWS
September 9, 1988 | By Jim Gladstone, Special to The Inquirer
Patti LaBelle was testing the waters at the shore on Wednesday night as she began a five-night stand at the Tropicana's Tiffany Showroom. In the coming months, she'll once again attempt to make a splash on the national pop-culture scene. After a sweet taste of success with the disco hit "Lady Marmalade" in 1975, and major inroads toward mainstream fame with the 1984 single "New Attitude" and 1986 LP Winner in You, the Philadelphia native is poised to take the plunge again and perhaps attain the superstardom she has strived for throughout an erratic 25-year career.
ENTERTAINMENT
January 30, 1989 | By Nels Nelson, Daily News Theater Critic
A New York fellow in my line of work, who wears the blood of many dozens of Broadway productions on his shirt front, the other day took the measure of the new revue "Black and Blue" and found it "a festive tribute to great black American jazz and blues artists as only a madcap pair of Argentine set and costume designers could have imagined it. " I know Claudio Segovia and Hector Orezzoli only through their work, none of which remotely strikes me...
ENTERTAINMENT
December 15, 2003 | By STAN HOCHMAN -- For the Daily News
Baseball and Broadway share the same language. A critically acclaimed show is a hit. Backers hope for a long run. A great musical has a memorable score. So maybe it shouldn't be a surprise that three, count 'em, three baseball plays were lauded by critics and embraced by audiences in a Broadway season littered with pop-ups and costly strikeouts. "Take Me Out," a fascinating, eloquent tribute to the game by playwright Richard Greenberg, won last year's Tony Award as Best Play.
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