October 20, 2011 |
The three new one-acts combined into a Broadway show called Relatively Speaking come across as a comedic evolution in time-lapse. It all goes by in barely more than two hours, beginning with the subtle, ending with the zany. We start with writer/filmmaker Ethan Coen's "Talking Cure," a facile piece that ups the sharp comic ante as it progresses. After a four-minute break, we're into classic Elaine May, a piece called "George Is Dead," with more nuance and bigger laughs as it turns from a character study into a poignant scenario that works.
August 31, 2011
Price Berkley, 92, founder, editor, and longtime publisher of Theatrical Index, the weekly trade publication that has been consulted by anyone wanting to produce, finance, write about, or possibly avoid a Broadway show, died Sunday at his Manhattan home. Mr. Berkley founded Theatrical Index in 1964 with a typewriter, a stapler, and 16 subscribers. It retains its original, humble form: a slim sheaf secured at the top with staples. "People used to put it on a clipboard on their bulletin board, and they still do," said Steve Bebout, who succeeded Mr. Berkley as editor in chief after his retirement in 2007.
May 24, 2011 |
NEW YORK - A few Betty White turn-ons: She likes a cocktail before dinner and a weekly poker night. She has a taste for french fries and hot dogs, and a jones for crossword puzzles. And, in service to her passion as a writer, reams of lined notebook paper really get her going. Indeed, White has written a new book, If You Ask Me (And of Course You Won't) (Putnam, $25.95). It's a chipper, hop-scotching meditation on her life, loves, and career - with lots of photos - that reads like a chat with the beloved star.
May 19, 2011 |
NEW YORK - A few Betty White turn-ons: She likes a cocktail before dinner and a weekly poker night. She has a taste for french fries and hot dogs, and a jones for crossword puzzles. And, in service to her passion as a writer, reams of lined notebook paper really get her going. Indeed, White has written a new book, "If You Ask Me (And Of Course You Won't). " It's a chipper, hopscotching meditation on her life, loves and career - with lots of photos - that reads like a chat with the beloved star.
March 17, 2011
THE PEE-WEE HERMAN SHOW ON BROADWAY. 10 p.m. Saturday, HBO. NOT MANY Broadway shows begin with the Pledge of Allegiance, but then so few star Pee-wee Herman. Paul Reubens, the artist known as Pee-wee, returns Saturday night to HBO, the place where his bow-tied character's TV career launched in another special three decades ago, with "The Pee-wee Herman Show on Broadway. " Filmed this winter during the show's limited run at Manhattan's Stephen Sondheim Theater, it's a happy mix of childlike wonder and mildly adult humor - too mild for "Two and a Half Men," but maybe too adult for Saturday mornings - that allows Reubens to be timeless and yet topical.
October 17, 2009 |
Colman Domingo was around 35 when his second growth spurt began. He'd already weathered the awkward years of buck teeth and ballet lessons. Now the actor had to figure out a way to say goodbye to his parents and his childhood home at 52d and Chancellor Streets in West Philly. But rather than letting go, Domingo decided to archive his memories. The result is A Boy and His Soul, a one-man show - equal parts song, dance and storytelling - that captures the energy of the neighborhood, and the pervasiveness of R&B and soul in the 1970s and '80s.
November 27, 2007 |
Tomorrow morning, traffic will come to a standstill in one of the busiest sections of New York, but this time it won't be gawking tourists or angry cabbies blocking the streets. NASCAR is back to take Manhattan in a big way, with this season's top 10 drivers parading their race cars over a 1 1/2-mile course, starting at 8:30 a.m. in front of the Good Morning America studios at 44th Street and Broadway. Rolling along in single file, the 3,400-pound stock cars, powered by 850-horsepower engines, figure to rattle windows and scatter pigeons en route to the finish line, in the shadow of the Hard Rock Cafe at 43d Street and Seventh Avenue.
September 15, 2006 |
Live Nation, the national media company that promised to reincarnate the sumptuous but shuttered Boyd movie palace as a first-class venue for big, traveling Broadway shows, has withdrawn its construction crews and is reconsidering the project, a company spokesman confirmed yesterday. Live Nation apparently decided to shut down the project because construction costs on the Chestnut Street theater have risen at an alarming pace, said Duane Bumb, deputy director of the city's Commerce Department.
April 14, 2005 |
Margery Klain has produced theater in New York, but when it came to realizing a long-held desire to present staged concert revivals of Broadway musicals, she looked no farther than Center City, where she has made her home for the last 25 years. "It just seems like Philadelphia is the place to do it," Klain said of Broadway Opus, the nonprofit theater company she is launching with a production in June of The Roar of the Greasepaint - The Smell of the Crowd at the Merriam Theater.
February 9, 2005 |
Good Vibrations makes a compelling case for the argument that the next person who thinks it would be nice to cobble together a musical from the Beach Boys' beloved songbook should be run over by a little deuce coupe. Beyond the help of Rhonda (or anyone else), this latest stab at a jukebox musical clearly takes that cash cow Mamma Mia! as its template. But there is a crucial difference. Mamma Mia! is a fatuous and inane show that uses the songs of Abba, which are themselves mostly fatuous and inane.