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NEWS
December 16, 2008 | By Howard Shapiro INQUIRER STAFF WRITER
We're at Scene 26 in A Chorus Line, its last moments, and we're swelling with anticipation. All night we've felt for these kids, desperate to be hired into the cookie-cutter chorus line of the show for which they're auditioning. Now, after coming to understand them as individuals, we're about to see them fulfill their ultimate goal: to become a single unit. And so begins one of the great finales in American musical theater, backed at first by only a piano. Out comes a lone gold-tuxedoed man, dancing across the stage.
ENTERTAINMENT
September 9, 2014 | DAILY NEWS WIRE SERVICES
 NEW YORK  - She'd once written that she wanted her funeral "to be Hollywood all the way" and  Joan Rivers certainly got a star-studded send-off yesterday.     Howard Stern delivered the eulogy. Broadway singer-actress Audra McDonald sang "Smile. " Actor and Broadway luminary Hugh Jackman brought the service to a close with the Peter Allen song, "Quiet Please, There's a Lady on Stage. " There were reports that Prince Charles sent flowers. A legion of notables turned out at New York's Temple Emanu-El to remember Rivers, who died Thursday at 81. Kathy Griffin , whose edgy, biting comedy career was largely made possible by Rivers; colleague and friend Kelly Osbourne (with her father, Ozzy )
NEWS
July 19, 2014 | By David Patrick Stearns, Inquirer Music Critic
There were broads, and there was Elaine Stritch, the toughest, the smartest, and among the most talented of all. And she could sing. Once called "the most dangerous actress on Broadway" - "Now that's a valentine!" she declared - Ms. Stritch died Thursday at her home in Birmingham, Mich., at 89, after a seven-decade career in stage, screen, and television that wound down only last year. Equally adept at musicals, plays, comedy, and drama, Ms. Stritch gave performances that were considered peaks in the American theater.
ENTERTAINMENT
March 27, 2012 | CHUCK DARROW Daily News Staff Writer
SOMETIME around 10 p.m. Tuesday at the Academy of Music, the Philadelphia debut of the latest iteration of "West Side Story," which runs through April 8, will conclude with a reprise of "Somewhere. " At this point, the audience will no doubt rise to its feet and reward the cast with a loud and appreciative ovation. But no matter how enthusiastic the crowd's response may be, it probably won't match that of those at Washington, D.C.'s National Theatre on Aug. 19, 1957. "We got like 15 curtain calls," recalled Michael Callan, 77, of the night the groundbreaking contemporary adaptation of William Shakespeare's "Romeo and Juliet" had its pre-Broadway premiere.
NEWS
December 31, 2012 | By Sally A. Downey, Inquirer Staff Writer
Helen Kardon Moss of Center City, a singer who performed on operatic stages, on Broadway, and in area clubs, died of a Parkinson's related illness at Penn Hospice Rittenhouse on Wednesday, Dec. 26, her 81st birthday. As a young woman, Mrs. Moss performed as a soprano with the New York City Opera Company and the San Francisco Opera Company. Her repertoire for most of her career, though, was the Great American Songbook. "I'm fortunate enough to have a background in many musical forms," she said in a 1994 Inquirer article.
NEWS
January 27, 2012 | HACKENSACK RECORD
HACKENSACK, N.J. - Robert Hegyes, the New Jersey-born actor who played Jewish Puerto-Rican wheeler-dealer Juan Luis Pedro Phillipo de Huevos Epstein on the 1970s classic "Welcome Back Kotter," died after an apparent heart attack in his Metuchen, N.J., home yesterday morning. He was 60. Hegyes, who also co-starred on "Cagney and Lacey" and taught occasional master classes at his alma mater, Rowan University, was best known for his work on "Kotter," in which he performed alongside a young John Travolta as one of the tough remedial students known at the Sweathogs.
ENTERTAINMENT
December 26, 2012 | By A.D. Amorosi, For The Inquirer
The story of Dr. Jekyll and his evil alter-ego, Mr. Hyde, is legendary: Desperate to save his comatose father by curing the evil that lurks in the human soul and causes illness, the good doctor makes a mess of things and succumbs to madness himself. Constantine Maroulis' life story may lack the dire drama of Jekyll's, but his family history has shaped Maroulis' approach to playing the dichotomous doctor. Maroulis, a former American Idol contestant, stars in the revival of the musical tragedy Jekyll & Hyde , a late-'90s Broadway smash by songwriter Frank Wildhorn and lyricist/author Leslie Bricusse that hits the Forrest Theatre for a five-day run starting Wednesday.
ENTERTAINMENT
January 31, 2012 | By Mark Kennedy, Associated Press
NEW YORK - David Alan Grier has a gentle message for anyone who is getting all hot and bothered thinking that he's helping ruin an American masterpiece. "Relax. Let it go," he says. "We're not killing it. We're just doing our version. " The actor and comedian is currently starring as Sporting Life in a reworked version called The Gershwins' Porgy and Bess on Broadway, following a controversial tryout in the fall near Boston. The creative team, with the blessing of the creators' estates (thus the title)
NEWS
February 1, 2013
TO A CERTAIN segment of the population, Tom Wopat will forever be "Luke Duke," one of the lead characters on the 1980s TV series, "The Dukes of Hazzard," which focused on the comical misadventures of a couple of reformed redneck moonshiners. But Wopat's greatest triumphs have occurred about as far - philosophically and artistically - as you can get from formulaic weekly television. For decades, the 61-year-old actor-singer has been a Broadway mainstay, in a slew of hit musicals and dramas.
NEWS
January 22, 2012 | By Howard Shapiro, Inquirer Staff Writer
The man who wrote the music for Cabaret and Chicago , Curtains and Kiss of the Spider Woman , and more than a dozen other shows - to say nothing of "New York, New York " - leaned against the side of an upright piano in a Center City rehearsal room and broke into a smile. "Yes, yes," said John Kander, to the dozen men on folding chairs who had just finished another run-through of the song called "Hey, Hey, Hey, Hey!," which opens The Scottsboro Boys, a musical about a true travesty of American justice, about racism and anti-Semitism, hatred and hypocrisy, told in the form of a minstrel show put on by blacks with a white "interlocutor," or onstage ringmaster.
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