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NEWS
December 31, 2012 | By Sally A. Downey, Inquirer Staff Writer
Helen Kardon Moss of Center City, a singer who performed on operatic stages, on Broadway, and in area clubs, died of a Parkinson's related illness at Penn Hospice Rittenhouse on Wednesday, Dec. 26, her 81st birthday. As a young woman, Mrs. Moss performed as a soprano with the New York City Opera Company and the San Francisco Opera Company. Her repertoire for most of her career, though, was the Great American Songbook. "I'm fortunate enough to have a background in many musical forms," she said in a 1994 Inquirer article.
NEWS
July 24, 2015 | By Allison Steele, Inquirer Staff Writer
The Commerce Building in the heart of downtown Camden is set to be demolished starting Saturday, a process expected to take about two weeks. The city's Parking Authority, which owns the one-acre parcel, is turning it into a parking garage. The vacant, eight-story building at the corner of Broadway and Federal Street was built in the 1960s to replace a department store, and sits near City Hall, municipal court, the county court, the Walter Rand Transportation Center, and two PATCO stops.
ENTERTAINMENT
March 27, 2012 | CHUCK DARROW Daily News Staff Writer
SOMETIME around 10 p.m. Tuesday at the Academy of Music, the Philadelphia debut of the latest iteration of "West Side Story," which runs through April 8, will conclude with a reprise of "Somewhere. " At this point, the audience will no doubt rise to its feet and reward the cast with a loud and appreciative ovation. But no matter how enthusiastic the crowd's response may be, it probably won't match that of those at Washington, D.C.'s National Theatre on Aug. 19, 1957. "We got like 15 curtain calls," recalled Michael Callan, 77, of the night the groundbreaking contemporary adaptation of William Shakespeare's "Romeo and Juliet" had its pre-Broadway premiere.
ENTERTAINMENT
September 24, 2014 | By Wendy Rosenfield, For The Inquirer
Times are tough, right? That's one of the few reasons I can imagine for the spreading revival of A.R. Gurney's Love Letters , which opened this week both at Delaware Theatre Company and on Broadway. Gurney's romantic comedy about a half-century-long friendship with benefits, as revealed through the couple's correspondence, usually spends its production dollars getting recognizable names into the pair of chairs and desks that compose its set. The names then read their characters' letters aloud and, while seated, adjust their body language and facial expressions so that we watch them age from grade school until sometime in the sort-of present (the play premiered in 1988)
NEWS
April 27, 2015 | By A.D. Amorosi, For The Inquirer
When singer-songwriter Cyndi Lauper talks about Kinky Boots , the rocker's first foray into composing for the theater, she gets emotional. The mere mention of the Tony Award-winning show - six honors, including best musical and best score for Lauper - sets her to reminiscing about the joy of creating the inner lives of Kinky characters ("something I've done since I was a kid - well, not the Kinky part") and her open-armed acceptance by a community outside her usual rock and roll milieu.
NEWS
January 27, 2012 | HACKENSACK RECORD
HACKENSACK, N.J. - Robert Hegyes, the New Jersey-born actor who played Jewish Puerto-Rican wheeler-dealer Juan Luis Pedro Phillipo de Huevos Epstein on the 1970s classic "Welcome Back Kotter," died after an apparent heart attack in his Metuchen, N.J., home yesterday morning. He was 60. Hegyes, who also co-starred on "Cagney and Lacey" and taught occasional master classes at his alma mater, Rowan University, was best known for his work on "Kotter," in which he performed alongside a young John Travolta as one of the tough remedial students known at the Sweathogs.
NEWS
July 19, 2014 | By David Patrick Stearns, Inquirer Music Critic
There were broads, and there was Elaine Stritch, the toughest, the smartest, and among the most talented of all. And she could sing. Once called "the most dangerous actress on Broadway" - "Now that's a valentine!" she declared - Ms. Stritch died Thursday at her home in Birmingham, Mich., at 89, after a seven-decade career in stage, screen, and television that wound down only last year. Equally adept at musicals, plays, comedy, and drama, Ms. Stritch gave performances that were considered peaks in the American theater.
ENTERTAINMENT
December 26, 2012 | By A.D. Amorosi, For The Inquirer
The story of Dr. Jekyll and his evil alter-ego, Mr. Hyde, is legendary: Desperate to save his comatose father by curing the evil that lurks in the human soul and causes illness, the good doctor makes a mess of things and succumbs to madness himself. Constantine Maroulis' life story may lack the dire drama of Jekyll's, but his family history has shaped Maroulis' approach to playing the dichotomous doctor. Maroulis, a former American Idol contestant, stars in the revival of the musical tragedy Jekyll & Hyde , a late-'90s Broadway smash by songwriter Frank Wildhorn and lyricist/author Leslie Bricusse that hits the Forrest Theatre for a five-day run starting Wednesday.
ENTERTAINMENT
January 31, 2012 | By Mark Kennedy, Associated Press
NEW YORK - David Alan Grier has a gentle message for anyone who is getting all hot and bothered thinking that he's helping ruin an American masterpiece. "Relax. Let it go," he says. "We're not killing it. We're just doing our version. " The actor and comedian is currently starring as Sporting Life in a reworked version called The Gershwins' Porgy and Bess on Broadway, following a controversial tryout in the fall near Boston. The creative team, with the blessing of the creators' estates (thus the title)
NEWS
January 22, 2012 | By Howard Shapiro, Inquirer Staff Writer
The man who wrote the music for Cabaret and Chicago , Curtains and Kiss of the Spider Woman , and more than a dozen other shows - to say nothing of "New York, New York " - leaned against the side of an upright piano in a Center City rehearsal room and broke into a smile. "Yes, yes," said John Kander, to the dozen men on folding chairs who had just finished another run-through of the song called "Hey, Hey, Hey, Hey!," which opens The Scottsboro Boys, a musical about a true travesty of American justice, about racism and anti-Semitism, hatred and hypocrisy, told in the form of a minstrel show put on by blacks with a white "interlocutor," or onstage ringmaster.
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