November 16, 2012
THEATER 'Horse' gallops into Philly "War Horse," one of the most honored dramas in recent Broadway history and a hit film last year, debuts locally Tuesday at the Academy of Music. The multiple Tony-winning show tells the story of how a young boy's horse wound up in combat during World War I, and the boy's journey to the front to save his beloved companion. Puppets - which won their own Tony - play the horses. Academy of Music, Broad and Locust streets, 8 p.m. Friday, 2 and 8 p.m. Saturday, 1 and 6:30 p.m. Sunday, 7:30 p.m. Tuesday-Thursday, Saturday, $100-$20, 215-893-1999, kimmelcenter.org/broadway.
March 22, 2005 |
A sure sign it's finally spring? Those very pink-hued, (sometimes sickly) sweet musical ads for the Gap starring American darling Sarah Jessica Parker and her rendition of the Broadway tune "I Enjoy Being a Girl. " But the British press is reporting that S.J.P., who's done three Gap campaigns so far, will do no more. It appears that Gap's face and voice are to be replaced by English teen sensation Joss Stone, who's currently in negotiations with the khaki-maker. According to London's Sunday Times, the Gap, which had previously used Madonna and Demi Moore, wants to capture the teen market by using the 17-year-old soul singer, who scored a hit last year with "Fell in Love with a Boy," a reworking of the White Stripes' "Fell in Love with a Girl.
June 29, 2005 |
MUCH TO HER dismay, West Philly native Eve, is the star of the Internet's newest celebrity sex video. The 30-second clip, dated Nov. 20, 1999, shows a man using a sex toy on the naked Martin Luther King High graduate while he pleasures himself. The man has been identified by the New York Daily News as Bad Boy Entertainment producer Stevie J. A spokeswoman for Eve, formally Eve Jihan Jeffers, told the New York tab that the tape was made "years ago with her boyfriend of over two years.
May 1, 2011 |
And now, Broadway, coming to a movie theater near you. Wait a minute. Broadway - in a movie theater? Isn't one of the main properties of live theater that it's not a movie? Well, these days, yes and no. This weekend through Tuesday, Broadway's current Tony-winning best musical - Memphis - is playing in about 530 cinemas throughout America, including 10 screens here, and it's not some Hollywood version. It's the actual show, taped in high definition with six cameras over a series of performances from the Shubert Theatre stage, where it's in its 670th performance Sunday.
April 1, 1988 |
Those who think that there are no female war movies obviously have never seen Stage Door (1937), in which aspiring actresses plot their Broadway campaigns. Adapted from the Edna Ferber-George S. Kaufman play, Gregory La Cava's boardinghouse comedy stars Ginger Rogers and Katharine Hepburn, who are tartly supported by the wisecracking Lucille Ball, Eve Arden and Ann Miller. Those who think that Hepburn would naturally rise to command this Broadway battle obviously have never seen Rogers give orders.
September 14, 1988 |
The most exciting dance events looming on the horizon outside of Philadelphia will break on New York's Great White Way rather than in one of its many theaters devoted to dance. The producers who brought tango and flamenco to national attention a few years back will likely do the same for American black dance when Black and Blue opens at the Minskoff Theater Dec. 4. Conceived by Claudio Segovia and Hector Orezzoli, Black and Blue features an all-star lineup of dancers, singers and musicians from the world of jazz and popular dance.
April 23, 1992 |
After experiencing the song, rap and dance extravaganza that is the Hammer "Too Legit" show, it's tempting to suggest the "legit" that Hammer can't quit wishing for is the legitimate Broadway stage. Witnessed last night at the Spectrum, the Hammer spectacle has pretentions closer to "A Chorus Line" than to your average Public Enemy or L.L. Cool J concert. It's an ensemble effort, and one that swallows up the Hammer man on more than a few occasions. Still, I suspect Hammer likes it that way. As a self-styled patron of the arts, he can assume the role of producer/band leader (a la Quincy Jones)
January 30, 2011 |
The second half of the region's bustling theater season comes alive with plays fresh from Broadway and Off-Broadway - mixed in, as always, with world premieres, American premieres, and, this year, a series of Irish plays on different professional stages. In April, the Philadelphia International Festival of the Arts brings some new stage work with a French twist. - Howard Shapiro Inquirer theater critic Spring Arts - Theater: Spring theater Lidless A new play by Frances Ya-Chu Cowhig concerns a retired Guantanamo Bay interrogator - a woman who is confronted by a former detainee with an extreme demand for a part of her liver.
March 18, 2012 |
How many songs with the same plaintive, repeating chords and the same melancholy lyrics about your same lovelorn self can you string together to make a Broadway musical? The answer is 14. (Plus reprises.) Taken one at a time, the 14 songs of the new musical Once , which opened Sunday night, work well enough on their own. Stitched together to create a musical, though, they severely test your quotient for plaintiveness - at what point does wearing a heart on your sleeve turn from a metaphor into an actual bloody mess?
November 9, 1989 |
It's an off week in the video world, offering only three moderately interesting titles: a lukewarm adaptation of a Broadway play, a disappointing retelling of A Christmas Carol and a predictable teen comedy. MISS FIRECRACKER (1989) (HBO) $89.99. 102 minutes. 1/2 Holly Hunter, Mary Steenburgen, Tim Robbins, Alfre Woodard, Scott Glenn. Hunter reprises her Off-Broadway turn as a backwater beauty-queen aspirant in the screen adaptation of Beth Henley's The Miss Firecracker Contest.