December 9, 1994 |
The main ingredient of artist Osman Karriem Hayes' art form is so exotic it can be found right there on the grocery-store shelf, in between such household items as plastic wrap, sandwich bags, and other paper products. And to most people, the thin, shiny sheets that are Hayes' principal medium are no secret ingredient at all: They're just plain old aluminum foil. It doesn't matter what name is on the foil package wrapper. Hayes, who calls himself a "tinfoil artist," is able to manipulate the silvery, pliable material into whatever character his fertile imagination suggests.
May 9, 1991 |
Kristeen Fabrizio hobbled into the cafeteria at the Phoenixville Area Junior High School, her legs bound in a narrow, ankle-length elastic tube. "I swim. I fell in love," said Fabrizio, 10, of Phoenixville, when she took her turn on stage Tuesday morning. "Who am I?" Dozens of second, third and fourth graders waved their hands, eager to guess whom Fabrizio was portraying in the Barkley Elementary School's Character Costume Cavalcade. The cavalcade was part of the monthlong "Kids Who Read Succeed Program" coordinated by librarian Lois Boyer and elementary school principal Joseph C. Dougherty.
August 15, 2010 |
Steve Solms died last week. I knew him only peripherally, but always got a kick out of his joie de vivre. Others have reminisced about the time the real estate developer and diehard 76ers fan brazenly walked onto the court during player introductions and presented Julius Erving with a doctor's bag. I'll always remember seeing Solms in the midst of a real estate crash, but looking no worse for the wear at poolside in Las Vegas and flashing a wad of...
September 15, 2006 |
The Internet comic strip Get Your War On by David Rees has been commenting on the war on terrorism by showing people in offices talking to one another on the phone or over coffee and doughnuts about the state of the world. The Rude Mechanicals of Austin, Texas, have adapted the comic strip (www.getyourwaron.com) for the stage, using overhead projectors and five actors in suits, ties and high heels. They provide an illustrated, damning chronicle of the Bush administration, starting in 2001 and tracing the war on terrorism through Afghanistan and Iraq, with excursions into the anthrax scares, Enron, the Katrina catastrophe, and Terry Schiavo.
January 17, 1997 |
At the end of the day, Tracey Ullman has no trouble peeling off her many personae - and the various wigs, mustaches and thick accents that go along with each. "I don't get attached to any of them for more than half an hour," Ullman says of the gallery of quirky characters she plays on her HBO comedy series, "Tracey Takes On . . . " which kicks off its second season at 11 p.m. tomorrow. "I'm quite glad to take them all off and go back to being Tracey. " When she's not in character, the 37-year-old British comic actress wears simple, tailored clothing and no makeup.
April 4, 1995 |
Brendan Behan's 1958 play The Hostage concerns a British soldier taken prisioner by the Irish Republican Army in retaliation for the planned execution of an IRA member. That's the plot, but it certainly isn't the play. In fact, Behan spends probably less than half of this three-hour piece dealing with the plot. The rest of the time is spent on the frequently crazy doings of a passel of minor characters and in the performance of a large number of mostly humorous songs. The Hostage, which Temple University Theaters is producing, is a strange theatrical bird.
August 1, 2010
By Glenn Taylor Ecco Press. 360 pp. $24.99 Reviewed by Sherrie Flick Many of us like television shows, even the predictable programs in which the characters consistently react the way you expect. In these shows, the ending isn't so much a revelation as a logical conclusion. It can be comforting to watch these shows and not have to think much. On the other hand, I try to read a lot. Reading makes me happy to be alive, and some days when it's hot and humid and oil is spilling into the Gulf of Mexico, I need something to revive my faith in humanity.
January 30, 2013 |
PRINCETON - Is any play more perfectly titled than Edward Albee's A Delicate Balance? The Pulitzer Prize-winning 1966 play, now at the McCarter Theatre through Feb. 27, has well-coiffed suburbanites balancing their composure against chaotic forces within themselves and outside the door. Other balances are needed for a successful rendering of this play. As much as one wishes more of them were achieved in this Emily Mann-directed production, there's still plenty happening with such a rich script wrestled into life by high-caliber actors Kathleen Chalfant and John Glover.
June 18, 1986 |
Anthony Quinn is chuckling. It's a deep, warm chuckle that rumbles up from the kettle drum of mirth in the potbelly he has borrowed from Zorba the Greek. Anthony Quinn is chuckling about someone's notion that the billing of his play (opening officially tonight at the Forrest Theater) should read "Zorba is Anthony Quinn" rather than "Anthony Quinn is Zorba. " "I think it's lovely, but I think it's nonsense, but they said the same thing when I played Gauguin . . . 'Requiem for a Heavyweight.
September 8, 2000 |
A door at the back of the darkened stage swings ajar to disgorge a man in a black jacket, who edges into a spotlit square and begins telling you a story. It is a story of life's randomness, something about an auto accident. Soon he is joined by a second man, who also appears involved in the story; it is, in fact, somehow his story. And In on It, a production at the Arden Theatre by Daniel MacIvor's Canadian company da da kamera, is off and running. As it initially unfolds, the story is about Ray, whose wife leaves him for a friend of theirs just as Ray is diagnosed with a fatal disease.