March 29, 2015 |
It's hard to believe that Koresh Dance Company has been performing on Philadelphia boards for almost 25 years. Harder still to think that Melissa Rector is still shining in every performance as she has since 1991. And hardest of all not to be moved by Aftershock , artistic director and founder Ronen Koresh's love letter to his adoptive homeland. It opened the company's spring run at the Suzanne Roberts Theatre on Thursday night. Aftershock is episodic, deriving perhaps from Koresh's biography.
March 20, 2015 |
It takes years for Tony Award-winning shows to make it from Broadway to Philadelphia. But Jessica Lang earned a Bessie Award - the dance equivalent of a Tony - in October, and her work is opening at the Annenberg Center on Thursday. Randy Swartz is thrilled. "We want to see the work she did last year in New York that won her that Bessie, and that's what we're bringing to Philadelphia audiences," says Swartz, the artistic director of Dance Celebration, which is presenting Jessica Lang Dance.
November 16, 2014 |
In its Philadelphia debut on Thursday night, Israel's Kibbutz Contemporary Dance Company (KCDC) presented If At All , by artistic director Rami Be'er. While this piece gave the dancers an opportunity to show off their strength, flexibility, and stamina, in the end it was only a partial success. Be'er says he doesn't tell stories with his choreography, so viewers can make up their own interpretations. But at points, the dancers drop to the floor, accompanied by sounds of gunfire and screaming; they also beat their chests and "stab" themselves.
July 26, 2014 |
Philadelphia is loaded with small dance companies, as anyone who has ever been to Fringe knows. These troupes rarely get to perform in fancy theaters, and it takes a lot of motivation for audiences to trek out to dingy performance spaces and sit on uncomfortable folding chairs all night. For the second year, Koresh Dance Company invited its colleagues to perform in the Suzanne Roberts Theatre in the Come Together Dance Festival. Over five days, which began Wednesday night, 24 companies have their 15 or so minutes of fame.
April 23, 2013 |
What a smokin' program Philadanco gave at the Perelman Theater last weekend! On Friday, Danco veterans and newbies alike danced like a well-oiled machine, gunning to overtake the pack of dance companies on the Avenue of the Arts. Within the broad time-travel theme of the Philadelphia International Festival of the Arts, artistic director Joan Myers Brown created a bill that began with the late Harold Pierson's 1971 Time/Space , set to Nina Simone's "Sinnerman. " (Pierson was once Danco's artistic director.)
December 7, 2012 |
Mary Fiocca Yanetti, 98, founder of a dance studio in South Philadelphia, died Friday, Nov. 30, of respiratory failure at Pennsylvania Hospital. Mrs. Yanetti was known for the dance school she and her family opened in 1956 at their home in the 1100 block of South Seventh Street. AnnaMarie's School of Dance was named after Mrs. Yanetti's daughter, Anna Marie DiEgidio. The first floor was where classes in ballet, tap, jazz dancing, swing, and acrobatic dancing were taught. The second and third floors were living quarters for the family, said Mrs. Yanetti's grandson Jason Douglas.
July 15, 2012 |
JOHANNESBURG - Michaela DePrince was little more than a toddler when she saw her first ballerina - an image on a magazine page blown against the gate of the orphanage where she ended up during Sierra Leone's civil war. It showed an American ballet dancer posed on tip toe. "All I remember is she looked really, really happy," Michaela told the Associated Press last week. She wished "to become this exact person. " From the misery of the orphanage "I saw hope in it. And I ripped the page out and I stuck it in my underwear because I didn't have any place to put it. " Now Michaela is the one inspiring young Africans: She escaped war and is an African dancer in the world of ballet that sees few leading black females.
March 6, 2012 |
Imagine that José Garces and Stephen Starr joined forces. Now imagine that instead of building a new facility lined with exotic decor and a model-pretty staff, these celebrity chefs used the partnership to develop their own culinary aesthetic, and put the pursuit of cuisine ahead of a restaurant's sustainability. A merger of similar stature and quality took place in the Philadelphia dance community recently, when dancer-choreographer Kate Watson-Wallace and choreographer-poet-impresario Jaamil Kosoko rechristened anonymous bodies, Watson-Wallace's company, as a joint collaborative for the pair's work.
November 21, 2011 |
After 12 years of creating dance, commissioning work from world-class choreographers, and opening a theater and studio in a converted mechanic's shop, former Martha Graham principal dancer Jeanne Ruddy announced Monday that she was folding her Philadelphia modern dance company. "I came to the decision that it was time for me to move on, and that I had done what it was that I had set out to do," Ruddy, 58, said in her office at the Performance Garage on Brandywine Street. She paused frequently to get her emotions in check, and drew her long, dark-blond hair up in a clip several times, before pulling it down again moments later.
November 14, 2010 |
As she neared her 99th birthday in March 2009, Yvonne Patterson told Inquirer columnist Art Carey: "I wasn't a great dancer and I wasn't pretty but I had a beautiful figure. " Good enough, she said, that she was one of the original dancers in George Balanchine's American Ballet. She was an approximate mix, Carey wrote, of "the regal bearing of actress Helen Mirren, the mordant wit of Dorothy Parker, the lust for adventure of Amelia Earhart, the cultured intellect of Susan Sontag and the physical vigor of Babe Didrikson.