June 6, 2005 |
Can't dance? Blame mom. Researchers at McMaster University in Hamilton, Ontario, wouldn't state it quite that way. But their new study shows an intriguing connection between the bouncy-bouncy knee thing that mothers do with their infants and babies' ability to respond to musical rhythm. In an experiment with a rather whimsical feel, McMaster doctoral candidate Jessica Phillips-Silver, who hails from Philadelphia, set seven-month-old infants on her lap, one by one. A recording of a flat six-beat pattern was played while Phillips-Silver bounced the 16 babies to one of two distinctive beats - either march (ONE two, ONE two)
October 19, 1996 |
If you like your dancing hard, fast and intense, then Koresh Dance Company is for you. Koresh's new program, Culture Shock, opened last night at Drexel's Mandell Theater, with a second performance tonight. Looking for Venus, one of two premieres, showed off this company's strengths. This six-part piece (choreographed by Artistic Director Ronen Koresh, as were all four works here) tackles the familiar domain of love and relationships, but does so with hardly a shred of sentimentality.
December 12, 2011 |
WHILE Anna Trebunskaya enjoys her time on ABC's massively popular "Dancing with the Stars," most recently partnering with TV personality Carson Kressley, she's excited to take a break. "It's nice to go back to a partner who knows what they're doing," she said. Trebunskaya and her husband, Jonathan Roberts, another "Dancing with the Stars" alum, will pair up onstage at "Champions of Dance," coming to the Annenberg Center Thursday through Sunday. The show brings together 10 champion ballroom dancers in a performance directed and choreographed by Taliat Tarsinov, whom Trebunskaya has worked with on and off since she was 15. But her director isn't the only familiar face in the show.
April 28, 2008 |
Japanese-born Kota Yamazaki started his dance company, Fluid hug-hug, not long after moving to New York in 2002. Last year, he won a Bessie Award with Germaine Acogny for choreographing FAGAALA on Compagnie Jant-Bi, which Acogny directs in Senegal. Interested in researching Butoh, a post-World War II performance art, Acogny visited Japan in 2000, met Butoh-master Yamazaki, and invited him to work with her. He visited three times, teaching her dancers Butoh techniques and immersing himself in Senegalese dance traditions.
March 16, 1987 |
On a night like yesterday, when the temperature beckoned more toward winter than spring, it was pleasant to look at a film of silky, blue water while dancers swayed to and fro. Another film of a man's feet making lazy circles in the sand was almost cruel at this time of year, so suggestive was it of the sun's warmth. Tonio Guerra's Darwin in Chains, a video-and-dance piece that was shown at Group Motion Studio over the weekend, is a kind of travelogue of places near and far - mostly far, and all exotic.
June 11, 1987 |
Inside a converted white barn, folks are twisting the night away to the sounds of Chubby and Elvis and Buddy. The oldies dance club in Bensalem is called The Barn. The music is good ol' rock 'n' roll the way it used to be before it was discoized, new waved and punked-out. The club is open Wednesdays through Saturdays, from 7 p.m. till 2 a.m. A deejay spins mostly 45s while couples cha-cha, jitterbug and do the monkey. Thursday nights, deejay Larry Jordan of WIOQ-FM oversees the dance floor.
February 12, 1995 |
The Bryn Mawr Hospital Guild held its 10th annual dinner and dance Feb. 4 at the Philadelphia Country Club. Jack Keller and his orchestra provided music for the dance chaired by Barbara Ellen Myers of Penn Valley. The guild was organized 11 years ago to promote "a certain degree of fellowship among the physicians at the hospital. It gives the medical staff, and their spouses, an opportunity to meet and socialize beyond a hospital setting. " In addition to the dance, the group holds a summer picnic and fall deli feast.
March 13, 1991 |
Group Motion thinks big. On one level it's simply a six-person experimental dance troupe with its own New York-style loft studio off South Street. But on another, it's a local institution: If Group Motion isn't using its studio space, it rents to other innovators, keeping creativity high. Group Motion also provides mime, improvisation and dance lessons for people who come from as far as Baltimore and Princeton. Workshop participants are often artsy types and performers, although there has always been a contingent of non-performers.
March 27, 1994 |
Bella Lewitzky knows what she's about. After a quick scan of the menu during a lunchtime interview last week, she snaps it shut, places it precisely at the table's edge, and commands the waitress to bring the vegetarian platter on pita: "No hummus in the pocket, please, and no french fries of any kind, anywhere. " The startled smile on the waitress' face suggests this is the first time she has taken an order that precludes further questions. In art as in lunch. Lewitzky's choreography, which will be performed by the Lewitzky Dance Company Thursday through Saturday at the Annenberg Center as the culmination of a weeklong residency here, is as meticulously conceived as her sandwich order - beginning with the fat content.
November 11, 1990 |
The sound of snapping fingers, clapping hands and tapping toes filled a room at the Northeast YWCA. Three members of the Philadelphia chapter of the National Association to Advance Fat Acceptance (NAAFA) were working on a new dance routine for the week's get-together. The club has expanded its usual offering of field trips, dances, parties and support-group meetings with an activity that many overweight people shy away from - dance class. NAAFA held its first weekly class Nov. 2. "It's difficult if you're large and want to be fit . . . to find a place where you feel comfortable to exercise or to dance," said Janet Meyers, chairwoman of the Philadelphia chapter.