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Dance

ENTERTAINMENT
February 27, 2016 | By Molly Eichel, Staff Writer
After 20 years of touring with Lord of the Dance , Michael Flatley, 57, is hanging up his dancing shoes. He's retiring after one last tour, Lord of the Dance: Dangerous Games, hitting the Wells Fargo Center on Sunday. This might be Flatley's last time performing in Philadelphia, and he'll miss the area. "We would start in Philadelphia or New Jersey because we knew the audiences were great," Flatley said. "They're a learned audience. They've seen so many things before. You get a truth in their response.
SPORTS
February 14, 2016 | By Joe Juliano, STAFF WRITER
If you think you're having problems trying to figure out a pecking order in college basketball this season, consider the predicament of the NCAA Division I men's basketball committee, which is entrusted with selecting and seeding the 68 teams for the NCAA tournament. With Selection Sunday now only four weeks away, the 10 members of the committee have been hard at work watching basketball games and studying the various metrics used to rate teams. With Villanova having become the sixth No. 1 team this season, trying to rank the teams from 1 through 68 for seeding purposes should be a major headache.
ENTERTAINMENT
February 13, 2016 | By Ellen Dunkel, Staff Writer
This weekend might be your only chance to see otherwise glorious concert dance performed by dancers wearing very large bunny ears. Such was the case when Trey McIntyre's Big Ones received its world premiere Wednesday night, as BalletX opened its winter series at the Wilma Theater. McIntyre was the mentor for BalletX's new choreographic fellowship. He and Yin Yue, an emerging choreographer from China chosen among 50 applicants, worked together for two months, each producing a new ballet.
NEWS
February 8, 2016 | By Nancy G. Heller, For The Inquirer
Bury Me Standing , Spanish choreographer Ramón Oller's hymn to Romany (gypsy) life, could easily have been a cliché. Instead, as presented by Ballet Hispánico last Thursday and Friday at the Annenberg Center, the piece was deeply moving - by turns sensuous, serious, and funny. Of the three short works on the New York-based company's program, Bury is the one that still haunts this viewer. Much of its impact came from the powerful performance of lead dancer Christopher Hernández.
NEWS
February 7, 2016
Joan Myers Brown, 84 Founder of Philadanco Having been raised in the period of segregation, I went to an all-Black school up until seventh grade, where we were taught "Black History" as a part of our studies; however, there was never a discussion about the history of blacks in the arts. Being introduced to dance in the second grade by the all-white 4H Club members, I never thought there was a "history" I should know about. And when I was invited to join the ballet club in high school, all I learned was white ballet dance history.
NEWS
February 7, 2016 | By Merilyn Jackson, For The Inquirer
Hollywood was made for Daniel Ezralow. Talents like his don't come along often. Like Jerome Robbins and Bob Fosse, he is one of those great American choreographers who worked in film and stage. Over the years, he has choreographed the Oscars, the Sochi Olympics, and Broadway's Spider-Man: Turn off the Dark - but he's never really settled down into his own company until now. His new Los Angeles-based company, Ezralow Dance, made its Philadelphia debut Wednesday night, with Open at NextMove at the Prince's spring opener.
ENTERTAINMENT
February 4, 2016 | By Catherine Laughlin, For The Inquirer
Outside in the frigid air, what sound like thunderclaps come rumbling from behind the glass storefront on a dim thoroughfare in National Park. Inside, the culprit: Two diminutive 11-year-old boys are burning up the Royal Dance Academy 's wooden floor, tap-dancing to "Boogie Woogie Bugle Boy. " TJ Koger and Christopher Pietrowski, both of West Deptford, active in the dance and theater communities since they were toddlers, leaped into tap...
NEWS
January 25, 2016 | By Jake Blumgart
Annie Wilson's been thinking a lot about burlesque. Sex and dancing in general, really. And she has concluded that they are subjects ripe for mutation, satire, and not a little appreciation. Her dance theater performance Lovertits is the result of her musings, her obsession with sultry film star Mae West, and Googling "the weirdest porn I could find. " The performances this week are only the latest in a show five years in the making. Last featured in Philadelphia during the 2014 Fringe Festival, Lovertits is not for the prudish, as over the course of the 75-minute production the three female performers bare all. Wilson started crafting the idea as a modern dance take on burlesque, which got her thinking about all the bizarre ways the human body is portrayed in performance.
SPORTS
January 21, 2016 | By Marc Narducci, Staff Writer
A year ago as a young team looking for an offensive identity, St. Joseph's struggled one season after earning an NCAA tournament bid. Hit hard by graduation, the Hawks went 13-18 and had trouble scoring, averaging 61.7 points. The Hawks lost just one starter from last season, point guard Chris Wilson. But, armed with virtually the same cast, the results have been strikingly different. St. Joseph's has already surpassed last season's win total. The Hawks take a 14-3 record into Wednesday's second game of a Palestra doubleheader against Penn.
NEWS
December 28, 2015 | By A.D. Amorosi, For The Inquirer
Since his 1990 arrival on the stages of New York City, dancer-choreographer Andy Blankenbuehler has had it nothing but good. After showing off his best Broadway buck-and-wing in 1992's Guys and Dolls and jazz hands in 1999's Fosse , the Cincinnati native began a career as a big-league choreographer. "A wonderful thing about youth is that you don't really know anything," Blankenbuehler, 45, says from his Manhattan home. "You trust your instinct. I didn't know about choreography, dramaturgy, humanity back when I was 17, but I trusted my gut feelings.
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