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Dance

SPORTS
January 21, 2016 | By Marc Narducci, Staff Writer
A year ago as a young team looking for an offensive identity, St. Joseph's struggled one season after earning an NCAA tournament bid. Hit hard by graduation, the Hawks went 13-18 and had trouble scoring, averaging 61.7 points. The Hawks lost just one starter from last season, point guard Chris Wilson. But, armed with virtually the same cast, the results have been strikingly different. St. Joseph's has already surpassed last season's win total. The Hawks take a 14-3 record into Wednesday's second game of a Palestra doubleheader against Penn.
NEWS
December 28, 2015 | By A.D. Amorosi, For The Inquirer
Since his 1990 arrival on the stages of New York City, dancer-choreographer Andy Blankenbuehler has had it nothing but good. After showing off his best Broadway buck-and-wing in 1992's Guys and Dolls and jazz hands in 1999's Fosse , the Cincinnati native began a career as a big-league choreographer. "A wonderful thing about youth is that you don't really know anything," Blankenbuehler, 45, says from his Manhattan home. "You trust your instinct. I didn't know about choreography, dramaturgy, humanity back when I was 17, but I trusted my gut feelings.
NEWS
December 13, 2015 | By A.D. Amorosi, For The Inquirer
Washington's most famous musical export, Thievery Corporation, brought finesse to the funk Thursday night at the Fillmore. Since 1995, Eric Hilton and Rob Garza - D.C. bar-owners-turned-sartorially correct-electronic-musicians/programmers - have made a most settled, manicured brand of funky rumpus. They create a stew of samba, soul, dub, Indian, Brasiliana, and other dance music in their brand of mutant disco. Cool and collected, the always suave Thievery Corporation make Bryan Ferry's Roxy Music look and sound like slobs.
ENTERTAINMENT
December 10, 2015 | Howard Gensler, Daily News
Tattle has never understood why so many movies and TV shows have to be remade. No artist looks at the Mona Lisa and says, "I'd like to re-paint that. " It's art. And even if it's crappy, commercial art, it exists. Why do it again? We get that some older movies or characters can be improved by technology (comic book movies, for instance) and some stories can get a new interpretation or twist, but when we saw yesterday that ABC was filming a three-hour musical adaptation of the 1987 film "Dirty Dancing," originally starring Jennifer Grey and Patrick Swayze , and now to star Abigail Breslin and a hunk to be named later, the first thought that popped into our addled mind was "Why?"
NEWS
December 9, 2015 | Sofiya Ballin, Inquirer Staff Writer
Matt Hopkins has reinvented himself six times. Almost once for every decade. There's Matt Hopkins, Scrabble master. Jazz musician. Playwright. Actor. Classical musician. Now, there's Matt Hopkins, hip-hop dancer and rapper. At age 70, he pops, locks, and occasionally drops on 15th Street near City Hall, and also in the corridors leading to Suburban Station. Recently, he's been performing at Christmas Village in LOVE Park. He dances to tracks by Fetty Wap, Drake, and Chris Brown.
ENTERTAINMENT
December 5, 2015 | By Nancy G. Heller, For The Inquirer
Philadelphia is a great town for tap dance, with local masters ranging from the elegant Germaine Ingram to the exuberant Corinne Karon. But Dorrance Dance is something else again. The four-year-old troupe made its Philadelphia debut Wednesday night at the Prince Theater, presenting excerpts from recent works that demonstrate the performers' technical virtuosity and stylistic range, plus the inventive choreography of company founder Michelle Dorrance. In Act I, the only music was that created by the dancers' feet, thanks to special, handmade wooden taps that produced surprisingly rich sounds.
ENTERTAINMENT
December 2, 2015 | By Merilyn Jackson, For The Inquirer
Choreographer/dancer Lauren Putty White and husband composer/musician Brent White form the Putty Dance Project. Together with producer/director Phil Sumpter, they created iStand, Stories of an American Civil Struggle, at the Community Education Center over the Thanksgiving weekend. Reviewing sociologically based performances created in almost real time with current events can be dicey. The filter of time can save them from being corny, emotionally overloaded, or lacking in depth.
ENTERTAINMENT
November 24, 2015 | By Patricia Mans, For The Inquirer
Loving and engaging, almost always laughing and smiling, 17-year-old Raymear greets you with a hug when you arrive and gives you an enthusiastic high-five when you leave. He affectionately calls out the names of those he cares about, and blossoms with one-on-one attention. Diagnosed with Down syndrome, Raymear receives special-education services at school and is making significant progress. He is learning the names of his classmates. His favorite activities include swimming, dancing, listening to music, and watching movies and television.
NEWS
November 20, 2015 | By Claire Sasko, Inquirer Staff Writer
All good things come to an end. Really good things, however, might need multiple endings. WXPN-FM's Zydeco Crossroads program, originally set to conclude with its grand finale weekend in October, will return one last time (this time for sure!) for a free " Zydeco Crossroads Dance Party" on Saturday at Union Transfer. "We knew there would be a good reaction," WXPN program director Bruce Warren said of the program. "We just didn't realize how good of a reaction there would be. " Zydeco Crossroads , a 16-month partnership between WXPN and KRVS Radio Acadie public radio in Lafayette, La., aims to raise awareness of zydeco, a fast-moving, heel-kicking, bluesy genre with southwest Louisiana roots.
ENTERTAINMENT
November 11, 2015 | By Samantha Melamed, Inquirer Staff Writer
Dance, as a genre, might not appear conducive to documentary storytelling, what with the lack of words and all. Yet two such projects, both based on sociologies of marginal Philadelphia communities, are set to debut within a week - and a few blocks - of each other. One of these world premieres, at FringeArts, is Home/S. 9th St. by Kun-Yang Lin/Dancers, a kinetic tale of migration that draws on interviews with more than 60 immigrants in South Philadelphia. The other, at the Painted Bride, is Pushers from Dance Iquail, based on choreographer Iquail Shaheed's family history of addiction - his father died of a heroin overdose in March - and on conversations with young people from the city's Mantua section, where he grew up. Kun-Yang Lin said dance was uniquely able to convey the essence of lived experience.
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