CollectionsDancers
IN THE NEWS

Dancers

FEATURED ARTICLES
LIVING
April 26, 1987 | By Karen Heller, Inquirer Staff Writer
Each year, the Metropolitan Museum's Costume Institute, under the aegis of fashion doyenne Diana Vreeland, mounts a 10-month show that often has a direct influence on contemporary clothing. Vreeland, the former editor of Vogue and Harper's Bazaar, is known for being a powerfully prescient muse in these matters. The current exhibit, "Dance," has proved to be no exception. Even before the Met show opened in Manhattan in December, miles of tulle and pouf dance skirts had been introduced for spring in Europe and New York.
NEWS
October 18, 1991 | by Janet Anderson, Daily News Dance Critic
It's a day like any day for dancers in the 1990s, filled with sexism, racism, AIDS, physical challenges - and unrequited love. Or so Marla Blakey's one-act play, "The Dancers," which received its first local performance last night at the Society Hill Playhouse, would have us believe. There is a fascination with dancers' backstage life and training that sometimes seems to far exceed interest in their on-stage performances. People apparently can't get enough of the suffering and deprivation, yet rarely ask why dancers willingly, even happily, pursue such an arduous life.
ENTERTAINMENT
June 2, 2000 | By Merilyn Jackson, FOR THE INQUIRER
Philadanco's Wednesday opening-night concert proved there are at least three reasons to go: the dancers, the dancers, and the dancers. The company wraps up its 30th-anniversary season at the Prince Music Theater through . On the Shoulders of Our Ancestors is billed as an evening-length work, but it is really a loose suite of four works held together by screened excerpts from a television documentary to run next year on PBS, Free to Dance....
NEWS
March 26, 2003 | By Miriam Seidel FOR THE INQUIRER
Filmmaker Maya Deren had completed only a few short films when she died at 44 of a brain hemorrhage in 1961. But her small body of work is recognized for its dreamlike power, and she is considered one of the most important avant-garde filmmakers ever. A new documentary about Deren, In the Mirror of Maya Deren, by Martina Kudl?cek, is the centerpiece of a film series at the Prince Music Theater this weekend. "Motion Pictures: A Moving Collaboration Between Filmmakers and Dancers" will screen a number of films featuring dancers.
ENTERTAINMENT
April 20, 2002 | By Merilyn Jackson FOR THE INQUIRER
Benjamin Franklin may have harnessed electricity in Philadelphia, but for the audience at the Annenberg Center for the Arts Thursday night, Grupo Corpo Brazilian Dance Theater embodied it. Grupo Corpo commissioned Philip Glass and Uakti (wah-kee-chi), the renowned Brazilian ensemble that makes its own instruments, to create the opening work Seven or Eight Pieces for a Ballet. Evoking rivers of the Amazon basin, it has since been recorded on the CD Aguas da Amazonia (Point Music)
NEWS
November 18, 2002 | By Merilyn Jackson FOR THE INQUIRER
Four years ago, Gin MacCallum appeared like an apparition in a solo performance choreographed and performed by her - a diminutive tornado of movement, surefootedly destroying any doubts that might lie in her path about her talent. In her first full-length choreography, "In the Shape of a Spider," performed over the weekend at Christ Church, the surefootedness was still there and so was the choreography for her strong soloists, but she was not so successful in massing her group of six unevenly matched dancers.
ENTERTAINMENT
January 11, 1987 | By Patricia O'Haire, New York Daily News
Tommy Tune didn't want any dancers for the cast of his newest Broadway project, Stepping Out, even though Tune is a dancer and choreographer himself, and even though the play is about dancing. The play, which has been running for several years in London and opens here tonight, is about a group of people - eight women and one man - who get together one night a week for a tap-dancing class. It's a sort of social event for them, besides being a way of getting in shape. "It was very important that they not know how to tap," Tune said the other day, his first day off almost since rehearsals began early last month.
NEWS
July 25, 2004 | By Wendy Walker INQUIRER SUBURBAN STAFF
Dance teachers normally don't need to worry about thunderstorms. But Jane Roosevelt, founder of Longwood Performing Arts, does. For the last four years, her students have put on a free outdoor dance recital at the pavilion in Anson B. Nixon Park in Kennett Square. "There is nothing like dancing outside," she said. "The backdrop of the trees and the lake is unbelievable. . . . It's a perfect place. " Dancer Caroline Pennartz, 18, said she enjoys having the audience so close.
ENTERTAINMENT
February 7, 2004 | By Merilyn Jackson FOR THE INQUIRER
When the Australian Dance Theater came to Dance Celebration at Annenberg Center in 2002, a longshoremen's strike held up its set on the West Coast. This week, Homeland Security officials were holding the Sydney Dance Company's set for artistic director Graeme Murphy's eagerly awaited American premiere of Ellipse. It sat for two weeks on a New York dock waiting to be X-rayed until a senatorial phone call released it - not in time, though, for Thursday night's opening show. But while we might have been protected from an Aussie attack by set, we were not safe from their attaque by dance.
NEWS
March 19, 2009 | By Merilyn Jackson FOR THE INQUIRER
The 16 dance numbers in the 2009 Garden State Dance Festival's two-weekend run at Rutgers-Camden's Walter K. Gordon Theater offer a kaleidoscopic glimpse of what emerging dancers can do when matched with established choreographers. Several of the works in last weekend's opener were highly polished, mobile - and as colorful as stained glass. They ranged in genres from ballet to boogie, pas de deux to large ensemble. Among the best works - and repeating tomorrow - is Camille A. Brown's excerpt from her larger one-woman piece, The Evolution of a Secured Feminine.
1 | 2 | 3 | 4 | 5 | Next »
ARTICLES BY DATE
NEWS
July 15, 2016 | By Charles Fox, STAFF PHOTOGRAPHER
During the 39 years the Carlisle Indian Industrial School was in existence, 628 students from the Seneca Nation would walk through its gates. Approximately 50 Seneca visitors from the Cattaragus and Allegany Reservations in western New York came recently to walk in their footsteps. And in a location where American Indian students were once not allowed to express their native traditions, the Seneca visitors came to dance. "Our social dancing is to bring positive energy, good feelings," said Sheldon Sundown who organized the dancers.
NEWS
June 24, 2016 | By Ellen Dunkel, Staff Writer
Clich├ęs about struggling artists are especially true in the dance world. Unless one is a dancer in a large company, a highly successful choreographer, or working commercially, money is always an issue. So is finding rehearsal and performance space. Second jobs are often necessary. It can be a lonely business. Former Martha Graham dancer Jeanne Ruddy is looking to create a dance center at her Performance Garage, a theater and studio in the Spring Garden neighborhood of Philadelphia.
ENTERTAINMENT
June 16, 2016 | By Ellen Dunkel, Staff Writer
Arantxa Ochoa, the director of the School of Pennsylvania Ballet, is the latest to announce that she is leaving the ballet. Hers has been one of the most-recognizable faces of the company for the last 20 years, and her departure, announced Tuesday in a letter from executive director David Gray, is an exclamation point on a tumultuous year. Ochoa will be moving to Florida in August to work at the Miami City Ballet School. Two others from Pennsylvania Ballet recently joined Miami City Ballet as dancers: former principal dancer Lauren Fadeley and corps de ballet dancer Amir Yogev.
NEWS
June 13, 2016 | BY ALLISON STEELE, STAFF WRITER
The little girl appeared out of nowhere, materializing at Tawanda Jones' side so suddenly that she drew Jones' attention away from the members of her drill team, the Camden Sophisticated Sisters, as they rehearsed in the low-ceilinged union hall. "Hi, honey," Jones said, startled. "Did your mom bring you? Did she come in?" "She just dropped me off," the girl said softly. "OK," Jones said, resting her hand on the child's shoulder. "Well, let's take off your jacket. " Jones had not seen her in eight months.
NEWS
June 12, 2016 | By Ellen Dunkel, STAFF WRITER
Pennsylvania Ballet is saying goodbye to more than 40 percent of its dancers on a somewhat unfinished note. Balanchine and Beyond opened Thursday night at the Merriam Theater, and it would have been a quiet finale to any season, since three of the four ballets were smaller group works. But this year, many contracts were not renewed and other dancers chose to leave as artistic director Angel Corella transitions the company into his vision. None of the dancers leaving has a sizable role.
ENTERTAINMENT
June 11, 2016 | By Nancy G. Heller, FOR DoTHIS
There's nothing like watching a flamenco performance close up. And the three Tablao Philly performances presented thus far, in an intimate space at the Asian Arts Initiative, let patrons clearly see the subtlest facial expressions, hand movements, and footwork of a changing roster of first-rate dancers, singers, and musicians. The fourth and final Tablao Philly began Thursday night and runs through Saturday. This time, the program features guest artist Raquel Heredia (a.k.a. "La Repompilla")
NEWS
May 29, 2016 | By Ellen Dunkel, Staff Writer
Lauren Fadeley was a much-beloved principal dancer at the Pennsylvania Ballet before she left last week. She is already dancing with another company, Miami City Ballet, in her native Florida. On Wednesday, Fadeley, 31, launched a podcast, Rediscovering the Dream (on iTunes and Google Play), about the next steps of her career. She is a versatile dancer whose big breakout was the double role of Odette/Odile in Swan Lake in 2011, when she was still a member of the corps de ballet.
NEWS
May 14, 2016 | By Ellen Dunkel, STAFF WRITER
T he desert comes alive when the sun goes down, and so does MOMIX's Opus Cactus , which opened at the Prince Theater Wednesday night. A favorite show from the company's vault, Opus Cactus hadn't toured for 12 years. Time to clear out the tumbleweeds - and, indeed, the performance starts with a glow-in-the-dark homage to this rolling symbol of the American West. The show is a series of nightscapes about desert life. Dancers represent snakes, lizards, birds, Gila monsters, flowers - and, of course, cacti.
NEWS
April 28, 2016 | By Ellen Dunkel, STAFF WRITER
Change is constant in the dance world. But the suddenness and scope of the roster changes announced Monday for Pennsylvania Ballet stunned many in that world and out of it. Angel Corella, the company's artistic director and an international ballet superstar, said 17 of 43 dancers - nearly 40 percent - would be leaving the company. Twelve were let go and five are leaving on their own, including favorites such as Lauren Fadeley, who is going to to Miami City Ballet as a soloist; and Elizabeth Mateer, who will be joining the corps of the San Francisco Ballet.
NEWS
April 27, 2016 | By Ellen Dunkel, Staff Writer
In a move unprecedented in Pennsylvania Ballet's 53-year history, nearly 40 percent of the dancers will be replaced for the 2016-17 season, artistic director Angel Corella said Monday. Of 43 dancers, 12 were let go and five are leaving on their own. Others, dancers say, are thinking of leaving. Pennsylvania Ballet, like most ballet companies, offers dancers one-year contracts. The rosters are always in flux, but it is less common to replace so many dancers at once. "It's always a difficult process for everyone" when contracts are not renewed, Corella said.
1 | 2 | 3 | 4 | 5 | Next »
|
|
|
|
|