FEATURED ARTICLES
NEWS
July 25, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet, once a major national dance company, turned 50 this year and was in need of a makeover. It got an immediate jolt Tuesday when it named Angel Corella its new artistic director, effective in September. Corella, 38, a former principal dancer with the American Ballet Theatre, is an international star who has performed with every major company around the globe. He's modeled for Rolex watches and appeared in ads for champagne with Gwyneth Paltrow. Most recently, he ran his own company, Corella Ballet Castilla y León, which became the Barcelona Ballet but which has since folded.
NEWS
July 13, 2014 | By Erin McCarthy, Inquirer Staff Writer
Gwen Resch has two families. Yes, the 14-year-old from Linwood, N.J., has a mother, father, and older brother. But she also has her "dance family," a far-reaching network of friends from across the region who share her passion for Irish dancing. "When you go to dance, that's a part of the experience," Resch said of constantly reconnecting with her dancing friends. "My favorite part. " While Resch sees most of her local dance mates three or four times a week, when they practice at the Emerald Isle Academy of Irish Dance, she will be part of a wider ensemble Saturday.
LIVING
April 26, 1987 | By Karen Heller, Inquirer Staff Writer
Each year, the Metropolitan Museum's Costume Institute, under the aegis of fashion doyenne Diana Vreeland, mounts a 10-month show that often has a direct influence on contemporary clothing. Vreeland, the former editor of Vogue and Harper's Bazaar, is known for being a powerfully prescient muse in these matters. The current exhibit, "Dance," has proved to be no exception. Even before the Met show opened in Manhattan in December, miles of tulle and pouf dance skirts had been introduced for spring in Europe and New York.
NEWS
October 18, 1991 | by Janet Anderson, Daily News Dance Critic
It's a day like any day for dancers in the 1990s, filled with sexism, racism, AIDS, physical challenges - and unrequited love. Or so Marla Blakey's one-act play, "The Dancers," which received its first local performance last night at the Society Hill Playhouse, would have us believe. There is a fascination with dancers' backstage life and training that sometimes seems to far exceed interest in their on-stage performances. People apparently can't get enough of the suffering and deprivation, yet rarely ask why dancers willingly, even happily, pursue such an arduous life.
ENTERTAINMENT
June 2, 2000 | By Merilyn Jackson, FOR THE INQUIRER
Philadanco's Wednesday opening-night concert proved there are at least three reasons to go: the dancers, the dancers, and the dancers. The company wraps up its 30th-anniversary season at the Prince Music Theater through . On the Shoulders of Our Ancestors is billed as an evening-length work, but it is really a loose suite of four works held together by screened excerpts from a television documentary to run next year on PBS, Free to Dance....
NEWS
March 26, 2003 | By Miriam Seidel FOR THE INQUIRER
Filmmaker Maya Deren had completed only a few short films when she died at 44 of a brain hemorrhage in 1961. But her small body of work is recognized for its dreamlike power, and she is considered one of the most important avant-garde filmmakers ever. A new documentary about Deren, In the Mirror of Maya Deren, by Martina Kudl?cek, is the centerpiece of a film series at the Prince Music Theater this weekend. "Motion Pictures: A Moving Collaboration Between Filmmakers and Dancers" will screen a number of films featuring dancers.
ENTERTAINMENT
April 20, 2002 | By Merilyn Jackson FOR THE INQUIRER
Benjamin Franklin may have harnessed electricity in Philadelphia, but for the audience at the Annenberg Center for the Arts Thursday night, Grupo Corpo Brazilian Dance Theater embodied it. Grupo Corpo commissioned Philip Glass and Uakti (wah-kee-chi), the renowned Brazilian ensemble that makes its own instruments, to create the opening work Seven or Eight Pieces for a Ballet. Evoking rivers of the Amazon basin, it has since been recorded on the CD Aguas da Amazonia (Point Music)
NEWS
November 18, 2002 | By Merilyn Jackson FOR THE INQUIRER
Four years ago, Gin MacCallum appeared like an apparition in a solo performance choreographed and performed by her - a diminutive tornado of movement, surefootedly destroying any doubts that might lie in her path about her talent. In her first full-length choreography, "In the Shape of a Spider," performed over the weekend at Christ Church, the surefootedness was still there and so was the choreography for her strong soloists, but she was not so successful in massing her group of six unevenly matched dancers.
ENTERTAINMENT
January 11, 1987 | By Patricia O'Haire, New York Daily News
Tommy Tune didn't want any dancers for the cast of his newest Broadway project, Stepping Out, even though Tune is a dancer and choreographer himself, and even though the play is about dancing. The play, which has been running for several years in London and opens here tonight, is about a group of people - eight women and one man - who get together one night a week for a tap-dancing class. It's a sort of social event for them, besides being a way of getting in shape. "It was very important that they not know how to tap," Tune said the other day, his first day off almost since rehearsals began early last month.
NEWS
July 25, 2004 | By Wendy Walker INQUIRER SUBURBAN STAFF
Dance teachers normally don't need to worry about thunderstorms. But Jane Roosevelt, founder of Longwood Performing Arts, does. For the last four years, her students have put on a free outdoor dance recital at the pavilion in Anson B. Nixon Park in Kennett Square. "There is nothing like dancing outside," she said. "The backdrop of the trees and the lake is unbelievable. . . . It's a perfect place. " Dancer Caroline Pennartz, 18, said she enjoys having the audience so close.
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NEWS
July 27, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Philadelphia in the Rockies? "It'll be so beautiful there!" Amy Aldridge says, thinking of dancing with a tall, dark stranger among the pines. Aldridge and nearly every other Philadelphia professional ballet dancer will be dancing outdoors in Colorado this week at the Vail International Dance Festival. The Pennsylvania Ballet and BalletX were invited to perform in one of the season's most prestigious summer dance festivals, which opens Sunday night. "It's sort of our Philadelphia story," says Damian Woetzel, artistic director of the festival and a retired star from the New York City Ballet.
NEWS
July 25, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet, once a major national dance company, turned 50 this year and was in need of a makeover. It got an immediate jolt Tuesday when it named Angel Corella its new artistic director, effective in September. Corella, 38, a former principal dancer with the American Ballet Theatre, is an international star who has performed with every major company around the globe. He's modeled for Rolex watches and appeared in ads for champagne with Gwyneth Paltrow. Most recently, he ran his own company, Corella Ballet Castilla y León, which became the Barcelona Ballet but which has since folded.
NEWS
July 14, 2014 | By Erin McCarthy, Inquirer Staff Writer
Gwen Resch has two families. Yes, the 14-year-old from Linwood, N.J., has a mother, father, and older brother. But she also has her "dance family," a far-reaching network of friends from across the region who share her passion for Irish dancing. "When you go to dance, that's a part of the experience," Resch said of constantly reconnecting with her dancing friends. "My favorite part. " While Resch sees most of her local dance mates three or four times a week, when they practice at the Emerald Isle Academy of Irish Dance, she was going to be part of a wider ensemble Saturday.
NEWS
July 13, 2014 | By Amy S. Rosenberg, Inquirer Staff Writer
ATLANTIC CITY - They are still dancing in Atlantic City. In a summer of bad news along casino row, Phyllis Papa, founder, choreographer, and director of the 32-year-old Atlantic City Ballet, has found her place on the Boardwalk for the first time. Long headquartered outside of the city, the company has settled into its new home at Boardwalk Hall, with all the dancers living close by in two big houses. The company will dance regularly at the Claridge, on the Boardwalk at Kennedy Plaza, and in a series of "Up Close and Personal" performances inside its new ballet studio in Room 311 at Boardwalk Hall.
NEWS
July 13, 2014 | By Erin McCarthy, Inquirer Staff Writer
Gwen Resch has two families. Yes, the 14-year-old from Linwood, N.J., has a mother, father, and older brother. But she also has her "dance family," a far-reaching network of friends from across the region who share her passion for Irish dancing. "When you go to dance, that's a part of the experience," Resch said of constantly reconnecting with her dancing friends. "My favorite part. " While Resch sees most of her local dance mates three or four times a week, when they practice at the Emerald Isle Academy of Irish Dance, she will be part of a wider ensemble Saturday.
ENTERTAINMENT
July 12, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The fun thing about BalletX is that you never know what you are going to see. The roster of dancers changes often. The company specializes in new choreography from codirectors Matthew Neenan, Christine Cox, or whoever they feel like working with. The shows are usually good. Then, there's Sunset, o639 Hours , a feast of entertainment, emotion, and moments of genius. Sunset , which opened Wednesday night at the Wilma Theater, was created by Neenan and composer-musician Rosie Langabeer, a Kiwi who divides her time between Philadelphia and New Zealand.
NEWS
July 11, 2014 | By Samantha Melamed, Inquirer Staff Writer
Last winter, a caravan of canoeists headed up the Schuylkill, paddling against the current and the chill to discuss plans for Invisible River , an arts event planned for this weekend. "Everyone was getting really excited, saying how we should put lights on the bridge, or imagining dancers in the shallows of the water and a flotilla of boats, with a music barge floating along. We were all letting our imaginations run wild," recalled choreographer Olivia Jorgensen, who was visited by a vision of dancers performing summer-solstice rituals on the banks.
NEWS
June 2, 2014 | BY TOM DI NARDO, For the Daily News
BALLERINAS need vacations, too. (Incredibly well-deserved ones.) But as the big companies wind down their seasons, some innovators break out novel, refreshing programming to tide over us over during the beachgoing months. The Tap-Ballet Project, June 6. Six tap dancers and four ballet dancers, backed by a jazz quartet, thunder out the collaborative work "Meet Us at the Corner," created by Elisabeth Holowchuk (from Suzanne Farrell Ballet) and Dorothy Wasserman (as seen in the movie "Tap")
NEWS
May 30, 2014 | BY MATT NESTOR, Daily News Staff Writer nestorm@phillynews.com, 215-854-5906
AN INSTRUMENTAL string arrangement of Coldplay's "Clocks" played through the room and Rachel Federman-Morales began directing the troupe of 10 dancers, as she has every Tuesday evening since early October. Aligned across from one another, the dancers' eyes locked. They had just completed a long school day and now they had one more rehearsal before the big performance, scheduled for this morning in Drexel University's Mandell Theater at MacAlister Hall. Like any dance troupe, this one is composed of unique individuals with a common goal.
NEWS
May 23, 2014 | By Howard Gensler
PHARRELL WILLIAMS ' "Happy" has become so popular, it's virtually impossible to go a day without seeing or hearing some new version of it on TV or YouTube. It's even made its way to Iran. And in Iran, that's not a good thing. An Internet video of six young Iranian men and women dancing to "Happy" has led to their arrests. Darn you, Western infidels. Criticism outside Iran was predictably swift yesterday, with calls for freedom for the jailed youths. Pharrell tweeted: "It's beyond sad these kids were arrested for trying to spread happiness.
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