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NEWS
October 13, 2014 | By Nancy G. Heller, For The Inquirer
'Keep your elbows lifted, even when your arms are crossed over your chest - as though you're in a bar, having a drink. " So said the Pennsylvania Ballet's new artistic director, Ángel Corella, as he taught a recent company class in preparation for the dancers' debut under his leadership this week. His unexpected suggestion, whimsical but clear, is typical of his style. It achieved the intended result. For 90 minutes, Madrid-born Corella led 40 dancers in exercises that gave them ample opportunity to display their distinctive bodies and impressive abilities.
LIVING
April 26, 1987 | By Karen Heller, Inquirer Staff Writer
Each year, the Metropolitan Museum's Costume Institute, under the aegis of fashion doyenne Diana Vreeland, mounts a 10-month show that often has a direct influence on contemporary clothing. Vreeland, the former editor of Vogue and Harper's Bazaar, is known for being a powerfully prescient muse in these matters. The current exhibit, "Dance," has proved to be no exception. Even before the Met show opened in Manhattan in December, miles of tulle and pouf dance skirts had been introduced for spring in Europe and New York.
NEWS
October 18, 1991 | by Janet Anderson, Daily News Dance Critic
It's a day like any day for dancers in the 1990s, filled with sexism, racism, AIDS, physical challenges - and unrequited love. Or so Marla Blakey's one-act play, "The Dancers," which received its first local performance last night at the Society Hill Playhouse, would have us believe. There is a fascination with dancers' backstage life and training that sometimes seems to far exceed interest in their on-stage performances. People apparently can't get enough of the suffering and deprivation, yet rarely ask why dancers willingly, even happily, pursue such an arduous life.
ENTERTAINMENT
June 2, 2000 | By Merilyn Jackson, FOR THE INQUIRER
Philadanco's Wednesday opening-night concert proved there are at least three reasons to go: the dancers, the dancers, and the dancers. The company wraps up its 30th-anniversary season at the Prince Music Theater through . On the Shoulders of Our Ancestors is billed as an evening-length work, but it is really a loose suite of four works held together by screened excerpts from a television documentary to run next year on PBS, Free to Dance....
NEWS
March 26, 2003 | By Miriam Seidel FOR THE INQUIRER
Filmmaker Maya Deren had completed only a few short films when she died at 44 of a brain hemorrhage in 1961. But her small body of work is recognized for its dreamlike power, and she is considered one of the most important avant-garde filmmakers ever. A new documentary about Deren, In the Mirror of Maya Deren, by Martina Kudl?cek, is the centerpiece of a film series at the Prince Music Theater this weekend. "Motion Pictures: A Moving Collaboration Between Filmmakers and Dancers" will screen a number of films featuring dancers.
ENTERTAINMENT
April 20, 2002 | By Merilyn Jackson FOR THE INQUIRER
Benjamin Franklin may have harnessed electricity in Philadelphia, but for the audience at the Annenberg Center for the Arts Thursday night, Grupo Corpo Brazilian Dance Theater embodied it. Grupo Corpo commissioned Philip Glass and Uakti (wah-kee-chi), the renowned Brazilian ensemble that makes its own instruments, to create the opening work Seven or Eight Pieces for a Ballet. Evoking rivers of the Amazon basin, it has since been recorded on the CD Aguas da Amazonia (Point Music)
NEWS
November 18, 2002 | By Merilyn Jackson FOR THE INQUIRER
Four years ago, Gin MacCallum appeared like an apparition in a solo performance choreographed and performed by her - a diminutive tornado of movement, surefootedly destroying any doubts that might lie in her path about her talent. In her first full-length choreography, "In the Shape of a Spider," performed over the weekend at Christ Church, the surefootedness was still there and so was the choreography for her strong soloists, but she was not so successful in massing her group of six unevenly matched dancers.
ENTERTAINMENT
January 11, 1987 | By Patricia O'Haire, New York Daily News
Tommy Tune didn't want any dancers for the cast of his newest Broadway project, Stepping Out, even though Tune is a dancer and choreographer himself, and even though the play is about dancing. The play, which has been running for several years in London and opens here tonight, is about a group of people - eight women and one man - who get together one night a week for a tap-dancing class. It's a sort of social event for them, besides being a way of getting in shape. "It was very important that they not know how to tap," Tune said the other day, his first day off almost since rehearsals began early last month.
NEWS
July 25, 2004 | By Wendy Walker INQUIRER SUBURBAN STAFF
Dance teachers normally don't need to worry about thunderstorms. But Jane Roosevelt, founder of Longwood Performing Arts, does. For the last four years, her students have put on a free outdoor dance recital at the pavilion in Anson B. Nixon Park in Kennett Square. "There is nothing like dancing outside," she said. "The backdrop of the trees and the lake is unbelievable. . . . It's a perfect place. " Dancer Caroline Pennartz, 18, said she enjoys having the audience so close.
ENTERTAINMENT
February 7, 2004 | By Merilyn Jackson FOR THE INQUIRER
When the Australian Dance Theater came to Dance Celebration at Annenberg Center in 2002, a longshoremen's strike held up its set on the West Coast. This week, Homeland Security officials were holding the Sydney Dance Company's set for artistic director Graeme Murphy's eagerly awaited American premiere of Ellipse. It sat for two weeks on a New York dock waiting to be X-rayed until a senatorial phone call released it - not in time, though, for Thursday night's opening show. But while we might have been protected from an Aussie attack by set, we were not safe from their attaque by dance.
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ARTICLES BY DATE
NEWS
October 13, 2014 | By Nancy G. Heller, For The Inquirer
'Keep your elbows lifted, even when your arms are crossed over your chest - as though you're in a bar, having a drink. " So said the Pennsylvania Ballet's new artistic director, Ángel Corella, as he taught a recent company class in preparation for the dancers' debut under his leadership this week. His unexpected suggestion, whimsical but clear, is typical of his style. It achieved the intended result. For 90 minutes, Madrid-born Corella led 40 dancers in exercises that gave them ample opportunity to display their distinctive bodies and impressive abilities.
ENTERTAINMENT
September 24, 2014 | By Jim Rutter, For The Inquirer
In After the Summer Sun , Ballet Fleming takes a smart step forward. For its second Fringe show, Christopher Fleming's fledgling company follows other young ensembles by hiring established choreographers to augment repertoire and grow audience. The evening opened with excerpts from Fleming's Long Train Running , a dance theater-style piece I first saw in 2011 that initially felt better in the costumes worn three years ago. Time for Three's music lends a distinctly country-western feel; Fleming's dancers strode on stage in ballet rehearsal attire (leotards, loose chemises)
NEWS
September 8, 2014 | By Merilyn Jackson, For The Inquirer
At the gala opening of the spectacular new FringeArts building on Columbus Boulevard on Friday night, the air was charged with so much electricity I was glad the place was no longer in use as a pumping station. Though there was no danger of electrocution, the crowd, there to see the Pennsylvania Ballet in new works, could have crushed you. What I Learned About Outer Space , a co-creation of Pennsylvania Ballet, Curtis Institute of Music, and FringeArts, turned out, overall, to have the contrived feeling these sorts of commissioned collaborations often do - not quite shotgun wedding, but more "Let's make this relationship work.
ENTERTAINMENT
August 20, 2014 | By Jim Rutter, For The Inquirer
On paper, there ain't much to Ain't Misbehavin' but the music. Unlike many songbook-driven shows or jukebox musicals, Richard Maltby Jr. and Murray Horwitz's revue of the songs of Fats Waller lacks a plot, biographical outline or a historically grounded narrative. These deficiencies show in Bucks County Playhouse's muddled though mostly well-sung production, directed by Hunter Foster. It starts with the set: Wilson Chin and David L. Arsenault's built-out barroom with a staircase leading up to a raised balcony, which fails to create a unified environment.
NEWS
August 11, 2014 | By Kristin E. Holmes, Inquirer Staff Writer
Having left thriving artistic careers in Cuba, ballet dancers John White and Margarita de Saá landed in a rundown room above a Narberth movie theater. The space, in need of renovation, represented a radical change from the days when the couple danced on the world's biggest stages as part of the National Ballet of Cuba. It was in 1964 that White and de Saá gave up career, family, and, in de Saá's case, country, to flee the Fidel Castro regime. They eventually chose the tiny Montgomery County borough, 2,000 miles from Havana, as the place to start over, opening their ballet school in 1974.
NEWS
July 28, 2014 | By Ellen Dunkel, Inquirer Staff Writer
Philadelphia in the Rockies? "It'll be so beautiful there!" Amy Aldridge says, thinking of dancing with a tall, dark stranger among the pines. Aldridge and nearly every other Philadelphia professional ballet dancer will be dancing outdoors in Colorado this week at the Vail International Dance Festival. The Pennsylvania Ballet and BalletX were invited to perform in one of the season's most prestigious summer dance festivals, which opens Sunday night. "It's sort of our Philadelphia story," says Damian Woetzel, artistic director of the festival and a retired star from the New York City Ballet.
NEWS
July 25, 2014 | By Ellen Dunkel, Inquirer Staff Writer
The Pennsylvania Ballet, once a major national dance company, turned 50 this year and was in need of a makeover. It got an immediate jolt Tuesday when it named Angel Corella its new artistic director, effective in September. Corella, 38, a former principal dancer with the American Ballet Theatre, is an international star who has performed with every major company around the globe. He's modeled for Rolex watches and appeared in ads for champagne with Gwyneth Paltrow. Most recently, he ran his own company, Corella Ballet Castilla y León, which became the Barcelona Ballet but which has since folded.
NEWS
July 14, 2014 | By Erin McCarthy, Inquirer Staff Writer
Gwen Resch has two families. Yes, the 14-year-old from Linwood, N.J., has a mother, father, and older brother. But she also has her "dance family," a far-reaching network of friends from across the region who share her passion for Irish dancing. "When you go to dance, that's a part of the experience," Resch said of constantly reconnecting with her dancing friends. "My favorite part. " While Resch sees most of her local dance mates three or four times a week, when they practice at the Emerald Isle Academy of Irish Dance, she was going to be part of a wider ensemble Saturday.
NEWS
July 13, 2014 | By Amy S. Rosenberg, Inquirer Staff Writer
ATLANTIC CITY - They are still dancing in Atlantic City. In a summer of bad news along casino row, Phyllis Papa, founder, choreographer, and director of the 32-year-old Atlantic City Ballet, has found her place on the Boardwalk for the first time. Long headquartered outside of the city, the company has settled into its new home at Boardwalk Hall, with all the dancers living close by in two big houses. The company will dance regularly at the Claridge, on the Boardwalk at Kennedy Plaza, and in a series of "Up Close and Personal" performances inside its new ballet studio in Room 311 at Boardwalk Hall.
NEWS
July 13, 2014 | By Erin McCarthy, Inquirer Staff Writer
Gwen Resch has two families. Yes, the 14-year-old from Linwood, N.J., has a mother, father, and older brother. But she also has her "dance family," a far-reaching network of friends from across the region who share her passion for Irish dancing. "When you go to dance, that's a part of the experience," Resch said of constantly reconnecting with her dancing friends. "My favorite part. " While Resch sees most of her local dance mates three or four times a week, when they practice at the Emerald Isle Academy of Irish Dance, she will be part of a wider ensemble Saturday.
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