June 25, 2012
1. b. 1900. 2. d. Fritz Scheel, 1900-07. 3. c. Yannick Nexet-Seguin. 4. a. London. 5. c. Eighth. 6. b. Camden. 7. d. Summer residency in Saratoga, started in 1966, under Eugene Ormandy. 8. a. The Big Broadcast of 1937. 9. b. Montreal Symphony. 10. c. 1960.
September 21, 1990 |
Samuel Barber's warmblooded Violin Concerto does not in general lack for performances or recordings. But it has not been heard at the Academy of Music since its premiere by the Philadelphia Orchestra under Eugene Ormandy in 1941, with violinist Albert Spalding. Nadja Salerno-Sonnenberg performs the concerto tonight, tomorrow and Tuesday under Riccardo Muti's direction. Rounding out this weekend's subscription program are Prokofiev's "Classical" Symphony and Tchaikovsky's Symphony No. 4. Philadelphia Orchestra, Riccardo Muti directing, at the Academy of Music, Broad & Locust Streets, tonight at 8, tomorrow and Tue. Tickets: $10-$60; $5 student tickets available with ID one-half hour before Mon-Thu subscription concerts; $2.50 unreserved amphitheater seats on sale one hour before Fri-Sat concerts.
November 6, 2013 |
Mayor Nutter, in the midst of a trade mission to the United Kingdom and Israel, announced Monday that the Philadelphia Orchestra will tour Europe in 2015. The orchestra will conclude its tour with two performances in London, Nutter said. The mayor called the orchestra "a vital cultural ambassador for the city, and one that brings tremendous economic development to the city by making the case for doing business in Philadelphia. " Nutter pointed out that the orchestra, with music director Eugene Ormandy, toured Britain in 1949, becoming the first orchestra from America to cross the Atlantic after World War II. The ensemble performed 28 concerts in 27 days in England and Scotland.
January 7, 1998 |
Marilyn Costello, 72, a harp prodigy who infused Philadelphia Orchestra performances with elegance and virtuosity for more than a generation, died of cancer Monday at her Rittenhouse Square apartment. In 47 years with the orchestra, 46 of them as principal, she appeared frequently as soloist. Audiences could identify her sound without having to look at the stage, for her playing was somehow operatic. Her playing combined urgency, rich and eloquent sound, and the passion of opera, but in French repertoire, sounded through mists of atmospheric subtlety.
May 15, 2010
For Ormandy, red roses and remembrance Once a year, on May 15, a dozen red roses appear on the grave of Eugene Ormandy in the churchyard of Old Pine Street Presbyterian. The roses are no mystery, but to the question of why the remains of the Philadelphia Orchestra's fourth music director, a Jew, reside in the cemetery of a Presbyterian church, the answer is not so clear. What happened was this: When Ormandy was dying, his physician was Edward Viner, who was friends with Bill Pindar, pastor of the church.
June 2, 1998 |
Gretel Ormandy, 89, widow of longtime Philadelphia Orchestra music director Eugene Ormandy and the orchestra's "Queen Mother," died Sunday evening at her Rittenhouse Square home after a long illness. Mrs. Ormandy suffered a stroke in November 1993 and had been confined to a wheelchair. "She was very kind and gracious," said Silvia Mann, widow of orchestra benefactor and industrialist Fredric R. Mann and a friend of Mrs. Ormandy's for more than 50 years. "And, of course, she was a wonderful wife to him. She did everything - packed and unpacked, dressed and undressed him. He didn't have to think about anything except his music.
May 23, 2006 |
Joseph Lanza, 73, of Cherry Hill, a member of the Philadelphia Orchestra since 1958 and its longtime assistant principal second violinist, died early Saturday morning at home. He had suffered briefly from pneumonia, his wife said. Mr. Lanza, born in a South Philadelphia rowhouse and schooled at the Juilliard School in New York, was one of those orchestra musicians who hated missing work, and even last week resisted staying home despite illness. His last time playing with the orchestra was Wednesday, in rehearsal.
August 26, 1990 |
Samuel Mayes, 73, a former first cellist with the Philadelphia Orchestra and one of the premier cellists in the United States, died Friday at his home in Mesa, Ariz. Mr. Mayes, whose father was a St. Louis surgeon and whose mother was a musician, began playing the cello at age 4 and demonstrated extraordinary talent. At age 8, he performed as a soloist with the St. Louis Symphony. His first teacher was Bruno Steindel, the principal cellist for the Chicago Symphony Orchestra. Mr. Mayes entered the Curtis Institute of Music in Philadelphia at age 12. In 1936, at age 18, he was named by Leopold Stokowski, the famed conductor of the Philadelphia Orchestra, as alternate solo cellist for the orchestra.
June 18, 1989 |
Sentiment. That's the reason Van Cliburn gives for ending his 11-year hiatus from the concert stage. It is not a need to perform, not an unendurable ache at no longer probing the keyboard for the essence of music, not an emptiness at having given up his part of the communicative process that involves performer, composer and audience. It is sentiment, he says, and reason enough to leave his mansion in Fort Worth, Texas, to play with the Philadelphia Orchestra tomorrow at the Mann Music Center.
July 25, 2003 |
Ah, that's more like it. Such was the reaction in the opening moments of Rachmaninoff's Piano Concerto No. 4 Wednesday at the Mann Center for the Performing Arts. The problematic concerto seemed curiously stillborn last season, when the Philadelphia Orchestra hosted guest pianist Horacio Gutierrez. You even had to doubt the concerto's value. However, Garrick Ohlsson, Wednesday's soloist, has made a specialty of the 1941 piece, and you immediately knew why. No matter how interpreted, the music might always seem to be an uneasy update of the composer's vocabulary.